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A Critical Forum on Media and Culture

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Lisa Coulthard / University of British Columbia

“Let’s Get Stinko”: Melodrama and the Mundane in Todd Haynes’s Mildred Pierce
Lisa Coulthard / University of British Columbia

April 22, 2011 Lisa Coulthard / University of British Columbia 2 comments

An exploration of melodrama and the mundane in Mildred Pierce.

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Drunk History and Displaced Vocality
Lisa Coulthard / University of British Columbia

February 11, 2011 Lisa Coulthard / University of British Columbia 7 comments

An examination of displaced voices in Drunk History

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The Hotness of Cold Opens: Breaking Bad and the Serial Narrative as Puzzle
Lisa Coulthard / University of British Columbia

November 12, 2010 Lisa Coulthard / University of British Columbia 6 comments

A look at the puzzling cold opens of Breaking Bad.

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“We’re gonna need a montage”: musical cliche and the CSI franchise
Lisa Coulthard / University of British Columbia

September 10, 2010 Lisa Coulthard / University of British Columbia One comment

Musical montage can often suggest heightened action and “hard work” in television dramas. This article considers the musical montage trope as it relates to the action in CSI.

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That’s not blood, that’s music: Dexter’s musical seriality
Lisa Coulthard / University of British Columbia

July 30, 2010 Lisa Coulthard / University of British Columbia One comment

Coulthard examines the importance of the musical score in relation to television programming, using the series “Dexter” as a compelling case study of colorful aural storytelling.

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Familiarity Breeds Desire: Seriality and the Televisual Title Sequence
Lisa Coulthard / University of British Columbia

July 2, 2010 Lisa Coulthard / University of British Columbia 8 comments

Examining the role of opening title sequences as a space of pleasure in image and sound, setting the stage, tone and atmosphere for the ensuing action.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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14h

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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3 Nov

From Squid Game pop-ups to Netflix House installations, Hyun-Jung Stephany Noh traces how dystopian K-dramas become immersive, branded experiences. Her essay shows how Netflix turns speculative fiction into a global marketing spectacle
Read it here: http://tinyurl.com/h7epx33m

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29 Oct

Helen Piper examines the show The Assembly and compares the UK & Australian versions. In doing so, she reveals how format and post-production choices shape risk, reciprocity, and the politics of inclusion.

Read it here: http://tinyurl.com/5y7y4cax

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