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A Critical Forum on Media and Culture

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A Critical Forum on Media and Culture

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Herman Gray University of California Santa Cruz

Gloved Hands, Pressed Uniforms, and Silver Trays
Herman Gray / University of California in Santa Cruz

March 21, 2012 Herman Gray University of California Santa Cruz 3 comments

Between the relations of subordination and domination in the American south and the English countryside.

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Seeing in Spanish: The Nat King Cole Show
Herman Gray / University of California in Santa Cruz

January 28, 2012 Herman Gray University of California Santa Cruz 4 comments

David Murray’s reinterpretation of Nat King Cole prompts me to rehear The Nat King Cole Show, especially in the context of black televisual presence in today’s digital platforms.

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Representation, Politics and Publics
Herman Gray / University of California Santa Cruz

October 17, 2011 Herman Gray University of California Santa Cruz 2 comments

In selecting Sharpton to anchor MSNBC clearly aims to challenge its main competitor, Fox News, and to cultivate brand visibility among liberal audiences, especially African Americans.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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3 Nov

From Squid Game pop-ups to Netflix House installations, Hyun-Jung Stephany Noh traces how dystopian K-dramas become immersive, branded experiences. Her essay shows how Netflix turns speculative fiction into a global marketing spectacle
Read it here: http://tinyurl.com/h7epx33m

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29 Oct

Helen Piper examines the show The Assembly and compares the UK & Australian versions. In doing so, she reveals how format and post-production choices shape risk, reciprocity, and the politics of inclusion.

Read it here: http://tinyurl.com/5y7y4cax

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