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Casey Walker / University of Texas at Austin

Casey Walker is enrolled in the M.A. program for the Radio-Television-Film department at the University of Texas at Austin. He also spent the last 19 years working in television and radio and is currently the Marketing Manager for the StarDate radio program, a daily radio program and podcast put out by the University of Texas. His thesis project looks at cinematography in the Classical Hollywood studio system from the dawn of sound cinema to the Golden Age of Television, focusing on Karl Freund as a case study. He has also presented multiple conference papers on how sci-fi and monster films (such as Monsters (2010), Arrival (2016), and Star Wars Episodes VII and VII (2015, 2017) are reacting to the rise in visibility of white nationalism in the 2010's.

¡Viva el monstruo! – The Gill-man as a Symbol of Latinx Resistance
Casey Walker / University of Texas at Austin

June 24, 2019 Casey Walker / University of Texas at Austin One comment

Casey Walker examines the Latin American roots of Creature from the Black Lagoon (1954) and its evolution from a symbol of fear to a symbol of resistance against racial discrimination.

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Synergy of Attractions: Disney’s Not-So-Secret Weapon to Take on Netflix
Casey Walker / University of Texas at Austin

July 2, 2018 Casey Walker / University of Texas at Austin 5 comments

Casey Walker explores how Disney is using synergy between its content library and its theme parks as it prepares to launch a new streaming service to compete with Netflix.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

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Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
10 Nov

Examining South Korea’s rapid economic ascent, Gil-Soo Han reveals how “nouveau-riche nationalism” collides with migrant realities. Centering on the Naju forklift abuse case, he exposes how economic pride and social hierarchy intersect

Read it here: http://tinyurl.com/5ywctjz5

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6 Nov

Golden M. Owens reinterprets Rosey the Robot as a futuristic Mammy figure, linking domestic servitude, robot etymologies, and animation history to show how racialized labor logics persist beneath the surface of family entertainment.

Read it here: http://tinyurl.com/56v38frs

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5 Nov

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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