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Alexander Cho / University of California, Santa Barbara

Alexander Cho is Assistant Professor in the Department of Asian American Studies at the University of California, Santa Barbara, where he teaches courses on Asian American media studies as well as gender and sexuality studies. He researches how people use digital media with a particular emphasis on issues of race, gender, and sexuality, combining approaches from critical media studies and human-centered design. His writing has appeared in New Media & Society, the Proceedings of CHI: The ACM Conference on Human Factors in Computing Systems, and FDG: Foundations of Digital Games in addition to numerous anthologies. He is co-editor of a tumblr book: platform and cultures (University of Michigan Press) and co-author of The Digital Edge: How Black and Latino Youth Navigate Digital Inequality (New York University Press). Previous to UCSB, Cho was a UC President’s Postdoctoral Fellow in the Department of Informatics at UC Irvine. He received his PhD from UT Austin's Department of Radio-TV-Film.

What the Facebook Papers Taught Us About Affect and Design
Alexander Cho / University of California, Santa Barbara

October 10, 2022 Alexander Cho / University of California, Santa Barbara Leave a comment

On the one-year anniversary of the Facebook Papers, Alexander Cho makes a case for why critical and cultural studies scholars ought to be considering the design and affect of social media.

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OVER*FLOW: Dynasty, Reproduction, Coalition: Why the Game of Thrones Finale Was Queerly Satisfying
Alexander Cho / UC Irvine

May 23, 2019 Alexander Cho / University of California, Santa Barbara 2 comments

Alexander Cho calls attention to the Game of Thrones conclusion too many of us overlooked: a vision of queer coalition politics.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

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Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
10 Nov

Examining South Korea’s rapid economic ascent, Gil-Soo Han reveals how “nouveau-riche nationalism” collides with migrant realities. Centering on the Naju forklift abuse case, he exposes how economic pride and social hierarchy intersect

Read it here: http://tinyurl.com/5ywctjz5

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6 Nov

Golden M. Owens reinterprets Rosey the Robot as a futuristic Mammy figure, linking domestic servitude, robot etymologies, and animation history to show how racialized labor logics persist beneath the surface of family entertainment.

Read it here: http://tinyurl.com/56v38frs

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5 Nov

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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