Candy-Coated, Tangerine-Colored Criminals: Jenji Kohan’s Drug Use
Kathleen Collins / John Jay College
A consideration of Jenji Kohan’s antiheroic protagonists.
Read moreA Critical Forum on Media and Culture
A Critical Forum on Media and Culture
A consideration of Jenji Kohan’s antiheroic protagonists.
Read moreRHOA highlights the ruptures in Bravo’s brand and moves the show from a vehicle for winking consumerist aspiration to an example of successful brand-selves emerging outside the strict limits of postfeminist entrepreneurial success set by Bravos other stars.
Read moreThe Bravo network’s programming as a whole seems to use the eccentric ethnic character as a formulaic strategy to enhance a show’s entertainment value
Read moreThese musicians-cum-comics present ‘ironic’ or satirical performances of hyper-masculinity, often complete with the misogyny that is so central to that identity, leaving one to wonder if the more subtle aspects of this ideological exercise are lost on their massive online followings.
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