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Category: 13.03

Welfare Queen Redux: Teen Mom, Class and the Bad Mother
Amanda Ann Klein / East Carolina University

November 12, 2010 Amanda Klein / East Carolina University 17 comments

MTV’s Teen Mom deploys a straw man of the “Bad Mother,” akin to the Reagan-era welfare queen, to depict unwed, lower-class teen women in a negative light.

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The Fringe Benefits of Symbolic Annihilation
Esteban Del Río / University of San Diego

November 12, 2010 Esteban del Río / University of San Diego 3 comments

Gerbner’s notion of “symbolic annihilation” frames this discussion of minority representation in mainstream U.S. television, wherein Del Rio notes the conspicuous omission of Filipinos from the televisual space.

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The History of Postmodern: Mark Ronson’s Pop Nostalgia
Lucas Hilderbrand / University of California, Irvine

November 12, 2010 Lucas Hilderbrand / University of California, Irvine 4 comments

Lucas Hilderbrand considers how Mark Ronson’s new album reminisces about the glory days of 1980s postmodern pop.

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The Rally to Restore Sanity and/or Fear: For the Young or the Young at Heart?
Kelli Marshall/ University of Toledo

November 12, 2010 Kelli Marshall / DePaul University 12 comments

The “Rally to Restore Sanity and/or Fear” held in Washington, D.C., drew a crowd whose demographic makeup mirrored that of The Daily Show and The Colbert Report, contrary to the anticipated Millennial presence touted by several media commentators.

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The Hotness of Cold Opens: Breaking Bad and the Serial Narrative as Puzzle
Lisa Coulthard / University of British Columbia

November 12, 2010 Lisa Coulthard / University of British Columbia 6 comments

A look at the puzzling cold opens of Breaking Bad.

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Uncle Boonmee Who Can Recall His Past Lives,
and What We Know

Murray Pomerance / Ryerson University

November 12, 2010 Murray Pomerance / Ryerson University One comment

“Can it be that we are capable of seeing—with our vast technology and hyperstimulated imaginations—only what was once ourselves, only what we have survived?” Thai film Uncle Boonmee Who Can Recall His Past Lives inspires us to think about our own lives.

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Everybody Knows
Charles R. Acland / Concordia University

November 12, 2010 Charles R. Acland / Concordia University 3 comments

The “nobody knows anything” phrase is a smokescreen for an extensive and concentrated organization of advantage in the arena of commercial cultural enterprise.

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

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Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
5 Jan

Benjamin M. Han argues that while one might be inclined to identify specific elements of the film that appeal to the global audience, Kpop Demon Hunters prompts us to examine questions of national identity in terms of its Koreanness.

Read it here: http://tinyurl.com/3usj4n4w

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flowtv FLOW @flowtv ·
30 Dec

In "K-pop Beyond the Trend" Dr. Crystal Anderson explores how K-pop music maintains relevance beyond the cultural moment, unlike the fast trending nature of other popular Korean music genres.

Read it here: http://tinyurl.com/bdmx3vfw

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flowtv FLOW @flowtv ·
26 Dec

In "Yet Another KPDH Thought Piece: Socially Conscious and Popular?" Dr. David Oh investigates how Kpop Demon Hunters has managed to maintain its popular status despite the film’s counterhegemonic tendencies.

Read it here: http://tinyurl.com/3tjkm5kt

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flowtv FLOW @flowtv ·
23 Dec

Kallia O. Wright analyzes Dr. Bailey’s heart attack in Grey’s Anatomy, revealing how racial and gender stereotypes shape Black women’s medical treatment and self-advocacy within biased healthcare systems.

Read it here: http://tinyurl.com/3vyahe9b

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