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Category: 12.08

Tricking the Taste Buds: Messages of Deception and Inconvenience in “Healthy” Food
Daren C. Brabham / UNC Chapel Hill

September 10, 2010 Daren C. Brabham / University of North Carolina at Chapel Hill 7 comments

Daren Brabham considers parental and societal bad habits of lying to children to make them eat vegetables.

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AIDS, History, and Generation in Brothers & Sisters,
Melanie Kohnen / Georgia Institute of Technology

September 10, 2010 Melanie E.S. Kohnen / Georgia Institute of Technology Leave a comment

Investigating the representation of gay culture, past and present, on ABC’s Brothers & Sisters.

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“The future, Mr. Gittes. The future”: Next Wave Filmmaking, Part 2*
Robert Sickels / Whitman College

September 10, 2010 Robert C. Sickels / Whitman College 4 comments

This essay, part 2 of a 2-part series, stems from a chapter on Next Wave filmmaking that will appear in American Film in the Digital Age.

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Betty’s Back? Remembering the Relevance of the Rerun in the Age of Social Media
Dan Faltesek / University of Iowa

September 10, 2010 Dan Faltesek / University of Iowa Leave a comment

Examining the prevalence of the television rerun in light of Betty White’s resurgent popularity and re-energized career.

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The Raw and the Cooking Channel: Men, Food and the Network Brand
Sarah Murray / FLOW Staff

September 10, 2010 Sarah Murray / FLOW Staff 8 comments

A look at the male role in the branding of the just-launched Cooking Channel.

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“We’re gonna need a montage”: musical cliche and the CSI franchise
Lisa Coulthard / University of British Columbia

September 10, 2010 Lisa Coulthard / University of British Columbia One comment

Musical montage can often suggest heightened action and “hard work” in television dramas. This article considers the musical montage trope as it relates to the action in CSI.

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¡VIVA LA BROWN PERIL! The Political and Temporal Landscape of Machete
Esteban del Rio / University of San Diego

September 10, 2010 Esteban del Río / University of San Diego 4 comments

A paratextual analysis of Robert Rodriguez’s recent “mexploitation” film, Machete

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

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Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
1 May

In "Welcome to Wrexham and Representations of Management in Football (Soccer) as a Product of the “Media Sports Cultural Complex”" Andrew Stubbs-Lacy explores representation & construction of management in football with a focus on Welcome to Wrexham. Read: http://tinyurl.com/4z7wkuk8

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30 Apr

Dr. Roderik Smits explores various factors affecting what constitutes “fair pay” in the film and television industries. Read it here: http://tinyurl.com/mrn5wv9v

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flowtv FLOW @flowtv ·
29 Apr

Gerald Sim critiques Big Tech’s lobbying strategies against antitrust legislation, arguing that companies use technoliberal narratives, racialized imagery & nationalist rhetoric, such as the “China Argument,” to manipulate public opinion and more. http://tinyurl.com/ycka7652

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flowtv FLOW @flowtv ·
28 Apr

.@mediated1 argues that advertising’s integration of AI media technologies is not driven by natural market tendencies but from systemic commodification & political-economic forces, analyzed through the Political Economy of Media & Communications framework. http://tinyurl.com/3yajfcmb

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