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Category: 11.11

‘Wanna be on top?’: America’s Next Top Model and evaluating presentational performance as televisual skill
James Bennett / London Metropolitan University

April 8, 2010 James Bennett / London Metropolitan University 4 comments

A comparison of the performance styles of American and Australian ‘Top Model’ hosts Tyra Banks and Johdi Meares.

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Watching for Botox
Julia Lesage / University of Oregon

April 8, 2010 Julia Lesage / University of Oregon 4 comments

The visibility of botox on Damages leads the author to reflect on how cosmetic surgery appears on television and in public life, and why.

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Marshall’s Children
Charles R. Acland / Concordia University

April 8, 2010 Charles R. Acland / Concordia University 3 comments

Re-situating Marshall McLuhan in media studies, in light of a new biography by Douglas Coupland.

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Postfeminist Primary Colors: Coding Femininities in Media Culture
Hannah Hamad / Massey University

April 8, 2010 Hannah Hamad / Massey University 10 comments

A discussion of the ways that femininities are conceptualized in postfeminism through color-coding.

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The D2D Release: Notes on a Burgeoning Market
Amanda Klein / East Carolina University

April 8, 2010 Amanda Klein / East Carolina University 10 comments

Direct-to-DVD (D2D) films are often ignored by academic discourse, yet the study of D2D films offers an important contribution to the fields of both reception and genre studies.

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Watching The Masters: Golf Becomes Exciting (In All the Wrong Ways)
Paul Achter / University of Richmond

April 8, 2010 Paul Achter / University of Richmond 11 comments

Paul Achter / University of Richmond
The anti-spectacle nature of the sport of golf is examined in light of two events, the 2010 Masters and the re-emergence of Tiger Woods after his much-publicized sex scandal.

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While you were out: The Canadian Media Have Disappeared
Dr. Zoë Druick / Simon Fraser University

April 8, 2010 Zoë Druick / Simon Fraser University One comment

The CRTC’s decision to allow private television networks in Canada to sell content to cable and satellite carriers may have broader policy implications.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

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Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
10 Nov

Examining South Korea’s rapid economic ascent, Gil-Soo Han reveals how “nouveau-riche nationalism” collides with migrant realities. Centering on the Naju forklift abuse case, he exposes how economic pride and social hierarchy intersect

Read it here: http://tinyurl.com/5ywctjz5

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6 Nov

Golden M. Owens reinterprets Rosey the Robot as a futuristic Mammy figure, linking domestic servitude, robot etymologies, and animation history to show how racialized labor logics persist beneath the surface of family entertainment.

Read it here: http://tinyurl.com/56v38frs

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5 Nov

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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