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Category: 11.11

‘Wanna be on top?’: America’s Next Top Model and evaluating presentational performance as televisual skill
James Bennett / London Metropolitan University

April 8, 2010 James Bennett / London Metropolitan University 4 comments

A comparison of the performance styles of American and Australian ‘Top Model’ hosts Tyra Banks and Johdi Meares.

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Watching for Botox
Julia Lesage / University of Oregon

April 8, 2010 Julia Lesage / University of Oregon 4 comments

The visibility of botox on Damages leads the author to reflect on how cosmetic surgery appears on television and in public life, and why.

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Marshall’s Children
Charles R. Acland / Concordia University

April 8, 2010 Charles R. Acland / Concordia University 3 comments

Re-situating Marshall McLuhan in media studies, in light of a new biography by Douglas Coupland.

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Postfeminist Primary Colors: Coding Femininities in Media Culture
Hannah Hamad / Massey University

April 8, 2010 Hannah Hamad / Massey University 10 comments

A discussion of the ways that femininities are conceptualized in postfeminism through color-coding.

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The D2D Release: Notes on a Burgeoning Market
Amanda Klein / East Carolina University

April 8, 2010 Amanda Klein / East Carolina University 10 comments

Direct-to-DVD (D2D) films are often ignored by academic discourse, yet the study of D2D films offers an important contribution to the fields of both reception and genre studies.

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Watching The Masters: Golf Becomes Exciting (In All the Wrong Ways)
Paul Achter / University of Richmond

April 8, 2010 Paul Achter / University of Richmond 11 comments

Paul Achter / University of Richmond
The anti-spectacle nature of the sport of golf is examined in light of two events, the 2010 Masters and the re-emergence of Tiger Woods after his much-publicized sex scandal.

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While you were out: The Canadian Media Have Disappeared
Dr. Zoë Druick / Simon Fraser University

April 8, 2010 Zoë Druick / Simon Fraser University One comment

The CRTC’s decision to allow private television networks in Canada to sell content to cable and satellite carriers may have broader policy implications.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
5 Jan

Benjamin M. Han argues that while one might be inclined to identify specific elements of the film that appeal to the global audience, Kpop Demon Hunters prompts us to examine questions of national identity in terms of its Koreanness.

Read it here: http://tinyurl.com/3usj4n4w

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flowtv FLOW @flowtv ·
30 Dec

In "K-pop Beyond the Trend" Dr. Crystal Anderson explores how K-pop music maintains relevance beyond the cultural moment, unlike the fast trending nature of other popular Korean music genres.

Read it here: http://tinyurl.com/bdmx3vfw

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flowtv FLOW @flowtv ·
26 Dec

In "Yet Another KPDH Thought Piece: Socially Conscious and Popular?" Dr. David Oh investigates how Kpop Demon Hunters has managed to maintain its popular status despite the film’s counterhegemonic tendencies.

Read it here: http://tinyurl.com/3tjkm5kt

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flowtv FLOW @flowtv ·
23 Dec

Kallia O. Wright analyzes Dr. Bailey’s heart attack in Grey’s Anatomy, revealing how racial and gender stereotypes shape Black women’s medical treatment and self-advocacy within biased healthcare systems.

Read it here: http://tinyurl.com/3vyahe9b

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