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Category: 24.10

Community Guidelines and the Language of Eating Disorders on Social Media
Ysabel Gerrard / The University of Sheffield

July 31, 2018 Ysabel Gerrard / The University of Sheffield Leave a comment

Ysabel Gerrard examines social media platforms’ content moderation and community guidelines through online pro-ED communities.

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Cataloging Authorship:Mad Men at the Harry Ransom Center
Kate Cronin / UT Austin

July 30, 2018 Kate Cronin / University of Texas at Austin 6 comments

Kate Cronin takes the Mad Men collection at the Harry Ransom Center as a case study to consider the role archives and archivists play in constructing critical conceptions of contemporary television authorship.

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Framing the #MeToo Movement: Post-feminism, True Crime, and Megyn Kelly Today
Kathy Cacace / University of Texas at Austin

July 30, 2018 Kathy Cacace / University of Texas at Austin Leave a comment

Kathy Cacace looks at the post-feminist politics of Megyn Kelly’s morning show and how this, as well as certain industrial factors, colors its coverage of the #MeToo movement.

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Representation and Experimentation: The Women of Late-Night TV
Eric Forthun / University of Texas at Austin

July 30, 2018 Eric Forthun / University of Texas at Austin Leave a comment

Eric Forthun examines the shifting late-night landscape as women formally and aesthetically experiment on cable and streaming services.

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Normalizing Subversion: The Comedy Approach of ‘Take My Wife’
Ashlynn d’Harcourt / University of Texas at Austin

July 30, 2018 Ash Kinney d'Harcourt / University of Texas at Austin 2 comments

Ashlynn d’Harcourt explores the ways in which comedians Cameron Esposito and Rhea Butcher stealthily center themselves on screen and in doing so, reposition their non-normative identities as conventional, further normalizing their subversiveness.

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Moving From The Margins: Blackness, Podcasts and Racialized Audio Space
Briana Barner / University of Texas at Austin

July 30, 2018 Briana Barner / University of Texas at Austin 3 comments

Briana Barner explores the podcast as a racialized space, and gives an example of a podcast that pushes back against the notion that podcasts are a White space.

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“Everyone’s Got Theories”: Examining the NFL’s Ratings Problem
Brett Siegel / University of Texas at Austin

July 30, 2018 Brett Siegel / University of Texas at Austin Leave a comment

Brett Siegel investigates the NFL’s response to declining ratings at a crucial moment in which the league’s status as both an entertainment property and cultural force is under intense scrutiny.

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#Save: NBC’s The Voice and Live Social Television
Maggie Steinhauer / University of Texas at Austin

July 30, 2018 Maggie Steinhauer / University of Texas at Austin One comment

Maggie Steinhauer explores interactive voting methods for reality competition programs and the impact of Twitter #Save features on live television.

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Combating Nativist Ideology: Latinx Representation and Immigration Reform
Nathan Rossi / University of Texas at Austin

July 30, 2018 Nathan Rossi / University of Texas at Austin One comment

Nathan Rossi considers contemporary Latinx representation and the relationship between entertainment television and immigration reform.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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2h

Cara Dickason examines how corporations sell Smart TVs as domestic surveillance technologies through gendered formulas. @CaraDickason

Read the full article here:
https://www.flowjournal.org/2022/05/smart-tv-surveillance/

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23 May

Isabel Molina-Guzmán discusses how Bridgerton's escapist narrative produces a nostalgia that simultaneously erases histories of racial conflict, generates pleasure in non-white audiences, and maintains white subjectivity. @LaProfaMolina

Read more at:
https://www.flowjournal.org/2022/05/bridgertons-romance-with-racial-nostalgia/

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20 May

Sarah E.S. Sinwell details how one art house cinema continues to adapt to the pandemic while serving its local community. @sinwelleffect

Read more at:
https://www.flowjournal.org/2022/05/portrait-of-an-art-house-during-a-pandemic-part-2/

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