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A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

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Tag: Performance

Workers of the World BeReal!: BeReal and The Performance of Labor
Emily Lynell Edwards / St. Francis College

February 10, 2023 Emily Lynell Edwards / St. Francis College 2 comments

Emily Lynell Edwards explores how office or knowledge work is performed on BeReal. Edwards cautiously explores the consciousness-raising potentials of these performances of work within the platform to illustrate how BeReal reflects broader shifts in contemporary labor politics.

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Bundling Merch into the Comfort Economy
Alyx Vesey / University of Alabama

June 8, 2021 Alyx Vesey / University of Alabama Leave a comment

Alyx Vesey analyzes how artistic entrepreneurship in the music industry through the use of merchandise has changed in the wake of COVID-19 concert cancellations, as well as how this merchandise forms part of “a consumerist response to societal collapse.”

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Remediating Liveness
Alyx Vesey / University of Alabama

April 5, 2021 Alyx Vesey / University of Alabama 3 comments

Drawing on examples such as NPR’s Tiny Desk (Home) Concert and Instagram’s Verzuz battles, Alyx Vesey explores how musicians have utilized online platforms as alternatives to live concerts in the age of COVID-19.

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Channel Surfing for Television Music
Alyx Vesey / University of Alabama

December 5, 2020 Alyx Vesey / University of Alabama 2 comments

Alyx Vesey considers how musicians have made use of television as a medium for promotional appearances, music videos, and award shows in light of the COVID-19 pandemic.

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OVER*Flow: What’s in a Frame? Paratexts, Performance, and Joaquin Phoenix in Joker
Justin Rawlins / University of tulsa

October 29, 2019 Justin Rawlins / University of Tulsa One comment

Justin Rawlins examines how Joker paratexts shaped the discourse around actor Joaquin Phoenix’s performance and popular understandings of “Method” acting.

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Interrogating Female Selfhood, Styled Identity Performance, and Visuality in Gossip Girl
Meg Hansen / Dartmouth College

January 23, 2017 Meg Hansen / Dartmouth College One comment

Meg Hansen describes the “styled identity” and its articulation in Gossip Girl (2007-2012), demonstrating the dialogic between aesthetics and female identities, self-presentation and selfhood, in the specular economies of postmodern media and culture.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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"Blonde is a Kind of Person": A Cultural History of the Dumb Blonde
Kelly Coyne / Northwestern University

Fan Demographics on Archive of Our Own
Lauren Rouse & Mel Stanfill / University of Central Florida

@FlowTV Conversations…

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FlowTVFLOW@FlowTV·
22 Mar

New in Over*Flow: @kellymcoyne examines cultural anxiety and ambivalence around the "dumb blonde" stereotype in "Blonde is a Kind of Person": A Cultural History of the Dumb Blonde. Check it out! https://www.flowjournal.org/2023/03/cultural-history-dumb-blonde/

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FlowTVFLOW@FlowTV·
6 Mar

Monday, Flow day!! Volume 29.05 is now live on the website. ! Head on over to http://flowjournal.org to read the first installment of work by @bimmbles , @trilliz, @kingisafink, @influencerlabor, and @westemilye!

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FlowTVFLOW@FlowTV·
22 Feb

New in Over*Flow: @rouselaurenc and @melstanfill present the results of a survey of users of popular fan fiction hosting site http://archiveofourown.org, providing updated statistics on fan fiction readers and writers. https://www.flowjournal.org/2023/02/fan-demographics-on-ao3/

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