Performance

Channel Surfing for Television Music
Alyx Vesey / University of Alabama

December 5, 2020 Alyx Vesey / University of Alabama One comment

Alyx Vesey considers how musicians have made use of television as a medium for promotional appearances, music videos, and award shows in light of the COVID-19 pandemic.

**OVER*Flow: What’s in a Frame? Paratexts, Performance, and Joaquin Phoenix in Joker**
Justin Rawlins / University of tulsa

October 29, 2019 Justin Rawlins / University of Tulsa One comment

Justin Rawlins examines how Joker paratexts shaped the discourse around actor Joaquin Phoenix’s performance and popular understandings of “Method” acting.

Interrogating Female Selfhood, Styled Identity Performance, and Visuality in Gossip Girl
Meg Hansen / Dartmouth College

January 23, 2017 Meg Hansen / Dartmouth College One comment

Meg Hansen describes the “styled identity” and its articulation in Gossip Girl (2007-2012), demonstrating the dialogic between aesthetics and female identities, self-presentation and selfhood, in the specular economies of postmodern media and culture.

Channel Surfing for Television MusicAlyx Vesey / University of Alabama

OVER*Flow: What’s in a Frame? Paratexts, Performance, and Joaquin Phoenix in JokerJustin Rawlins / University of tulsa

Interrogating Female Selfhood, Styled Identity Performance, and Visuality in Gossip Girl Meg Hansen / Dartmouth College

Channel Surfing for Television Music
Alyx Vesey / University of Alabama

**OVER*Flow: What’s in a Frame? Paratexts, Performance, and Joaquin Phoenix in Joker**
Justin Rawlins / University of tulsa

Interrogating Female Selfhood, Styled Identity Performance, and Visuality in Gossip Girl
Meg Hansen / Dartmouth College