A Critical Forum on Media and Culture
Murray Pomerance explores audience reception of the playful gender dynamics as performed in Wings of the Morning (1937).
In the true, unfolding experience of watching cinema, in our actual presence with the image, our sense of being struck depends on our relation to telltale moments.
“Can it be that we are capable of seeing—with our vast technology and hyperstimulated imaginations—only what was once ourselves, only what we have survived?” Thai film Uncle Boonmee Who Can Recall His Past Lives inspires us to think about our own lives.
