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A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

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Author: Murray Pomerance / Ryerson University

A Parallax Case: Gender Performance in Wings of the Morning
Murray Pomerance / Ryerson University

May 6, 2011 Murray Pomerance / Ryerson University 2 comments

Murray Pomerance explores audience reception of the playful gender dynamics as performed in Wings of the Morning (1937).

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“Who Lives?”: Notes on a Cinematic Moment
Murray Pomerance / Ryerson University

February 11, 2011 Murray Pomerance / Ryerson University 3 comments

In the true, unfolding experience of watching cinema, in our actual presence with the image, our sense of being struck depends on our relation to telltale moments.

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Uncle Boonmee Who Can Recall His Past Lives,
and What We Know

Murray Pomerance / Ryerson University

November 12, 2010 Murray Pomerance / Ryerson University One comment

“Can it be that we are capable of seeing—with our vast technology and hyperstimulated imaginations—only what was once ourselves, only what we have survived?” Thai film Uncle Boonmee Who Can Recall His Past Lives inspires us to think about our own lives.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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lcbrown91Laura Brown@lcbrown91·
31 May

It was an absolute pleasure to helm @FlowTV with @ashdharcourt this year! The biggest of thanks to our contributors, staff, and supporters! https://twitter.com/FlowTV/status/1531636621275058176

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FlowTVFLOW@FlowTV·
31 May

That’s a wrap on Volume 28. Shout out to our wonderful contributors and staff this past year. Also, be on the lookout out for our grad student issue that goes live in August!

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FlowTVFLOW@FlowTV·
30 May

Nicole Erin Morse examines how The Matrix (1999) interrupts and deconstructs the male gaze. @cinefeminism

Read the full column at:
https://www.flowjournal.org/2022/05/were-you-looking-at-the-woman-in-the-red-dress/

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