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A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

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Author: Amanda Klein / East Carolina University

The Hills, Jersey Shore, and the Aesthetics of Class
Amanda Ann Klein / East Carolina University

April 22, 2011 Amanda Klein / East Carolina University 15 comments

This column argues that the aesthetics of The Hills and Jersey Shore condition the viewer’s reception, inviting them to see each program’s performance of class and ethnicity as being tied to specific notions of taste and cultural capital.

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Black Swan, Cinematic Excess and the Full Body Experience
Amanda Klein / East Carolina University

February 11, 2011 Amanda Klein / East Carolina University 11 comments

In this piece, Amanda Klein explores how Black Swan employs the conventions of art cinema in order to engage the mind, and uses the conventions of horror, melodrama, and pornography to engage the body.

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Welfare Queen Redux: Teen Mom, Class and the Bad Mother
Amanda Ann Klein / East Carolina University

November 12, 2010 Amanda Klein / East Carolina University 18 comments

MTV’s Teen Mom deploys a straw man of the “Bad Mother,” akin to the Reagan-era welfare queen, to depict unwed, lower-class teen women in a negative light.

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The D2D Release: Notes on a Burgeoning Market
Amanda Klein / East Carolina University

April 8, 2010 Amanda Klein / East Carolina University 10 comments

Direct-to-DVD (D2D) films are often ignored by academic discourse, yet the study of D2D films offers an important contribution to the fields of both reception and genre studies.

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Window Dressing: Spectacular Costuming in MTV’s The City

January 22, 2010 Amanda Klein / East Carolina University 5 comments

Amanda Ann Klein / East Carolina University

An examination of how costume trumps narrative in MTV’s The City.

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BET’s Baldwin Hills: Injecting Race and Class into the Projective Drama

November 12, 2009 Amanda Klein / East Carolina University 8 comments

Amanda Klein / East Carolina University

A look at BET’s Baldwin Hills, a reality drama that effectively straddles the line between projective drama and rhetorical document.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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lcbrown91Laura Brown@lcbrown91·
31 May

It was an absolute pleasure to helm @FlowTV with @ashdharcourt this year! The biggest of thanks to our contributors, staff, and supporters! https://twitter.com/FlowTV/status/1531636621275058176

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FlowTVFLOW@FlowTV·
31 May

That’s a wrap on Volume 28. Shout out to our wonderful contributors and staff this past year. Also, be on the lookout out for our grad student issue that goes live in August!

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FlowTVFLOW@FlowTV·
30 May

Nicole Erin Morse examines how The Matrix (1999) interrupts and deconstructs the male gaze. @cinefeminism

Read the full column at:
https://www.flowjournal.org/2022/05/were-you-looking-at-the-woman-in-the-red-dress/

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