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A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

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Category: 3.09

Spouse Exchanges: I Know the Perfect People …

January 13, 2006 Megan Mullen / University of Wisconsin-Parkside 5 comments

by: Megan Mullen / University of Wisconsin-Parkside
Is the families selecting process to participate in reality TV showing American entertainment preferences? Are you and your family eligible?

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Why Accurate Audience Measurement is Worth the Trouble

January 13, 2006 Elliot Panek / Emerson College Leave a comment

by: Elliot Panek / Emerson College & former FLOW Staff
Perhaps we’ll never have totally accurate answers to our “who’s watching and why” questions, but that doesn’t make the search for these answers any less worthwhile.

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Speaking to Each Other at Last? The Ghost of TV Past, Present and To Come…

January 13, 2006 John Hartley / Queensland University of Technology, Australia 3 comments

by: John Hartley / Queensland University of Technology, Australia
A look backwards at the role of television scholarship reveals some insights about where we can go from here, as well as the roads not travelled.

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The Open University, Media Studies and New Times

January 13, 2006 David Hesmondhalgh / University of Leeds One comment

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Insight into how The Open University has changed Media Studies Pedagogy.

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Trauma Time: Family, Community and Criminality in Close to Home

January 13, 2006 Diane Negra / University College Dublin 4 comments

by: Diane Negra / University of East Anglia
How CBS’ Close to Home redefines motherhood, community and family values.

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Let’s Get Small: The Year When the Record Industry Broke and Listeners Became Crazy, Mixed Up, Downloading, File-Sharing Freaks

January 13, 2006 Tim Anderson / Denison University 2 comments

by: Tim Anderson / Denison University
As digital music sources expanded both their catalogues and user bases in 2005, music distribution continues its shift from the record store to the download store.

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On The Set With Degrassi: The Next Generation ~ There’s Something to Be Said for Passion

January 13, 2006 Sharon Ross / Columbia College Chicago 6 comments

by: Sharon Ross / Columbia College Chicago
Cast, crew, and personal perspectives on teen TV that matters.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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25 May

Stefania Marghitu explores the intersections between gender, genre, and authorship via Rose Matafeo's Starstruck. @DearStefania

Read the full article here:
https://www.flowjournal.org/2022/05/gender-genre-authorship-in-starstruck/

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24 May

Cara Dickason examines how corporations sell Smart TVs as domestic surveillance technologies through gendered formulas. @CaraDickason

Read the full article here:
https://www.flowjournal.org/2022/05/smart-tv-surveillance/

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23 May

Isabel Molina-Guzmán discusses how Bridgerton's escapist narrative produces a nostalgia that simultaneously erases histories of racial conflict, generates pleasure in non-white audiences, and maintains white subjectivity. @LaProfaMolina

Read more at:
https://www.flowjournal.org/2022/05/bridgertons-romance-with-racial-nostalgia/

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