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Category: 27.07

I Know That Song! Black Fans and the Familiarity of K-pop
Dayna Chatman / University of oregon

May 2, 2021 Dayna Chatman / University of Oregon One comment

Dayna Chatman explores Black fans’ reactions to R&B influences heard and seen in K-pop music and videos.

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Surplus Blackness
Alfred L. Martin Jr. / University Of Iowa

April 27, 2021 Alfred L. Martin Jr. / University of Iowa 3 comments

Alfred L. Martin, Jr. theorizes “surplus Blackness” in relation to the treatment of Black audiences in the culture industries.

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Selenidad 2.0: Dispatches from the Digital Sphere
María Elena Cepeda / Williams College

April 27, 2021 María Elena Cepeda / Williams College Leave a comment

María Elena Cepeda discusses how Selena Quintanilla’s legacy is constructed in WBUR Boston/Futuro Studios’ Anything for Selena podcast and Netflix’s Selena: The Series.

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A Look into Digital Blackface, Culture Vultures, & How to Read Racism like Black Critical Audiences
Lando Tosaya and Ralina L. Joseph / University of Washington

April 27, 2021 Lando Tosaya and Ralina L. Joseph / University of Washington 13 comments

Lando Tosaya and Ralina L. Joseph illuminate some of the ways critical Black audiences resist culture vultures, digital Blackface, and performative activism.

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Everytown, USA, Everyshow, USA: Riverdale as Intentionally Intertextual
Caroline N. Bayne / UNIVERSITY OF MINNESOTA, TWIN CITIES

April 27, 2021 Caroline N. Bayne / University of Minnesota, Twin Cities Leave a comment

Exploring the intertexuality of The CW’s Riverdale (2017–present), Caroline N. Bayne focuses on the way that the series exploits the tension between midcentury nostalgia and the darker teen pop culture of the 1980s and 1990s.

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The Visceral in Latinx Horror
Orquidea Morales / State University of New York, Old Westbury

April 27, 2021 Orquidea Morales / State University of New York, Old Westbury One comment

By considering the visceral response Latinx viewers have to images of terror, Orquidea Morales argues that we can expand the generic boundaries of Latinx horror to include films that examine the violence of migration and borders.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “It’s Not Steroids, It’s Testosterone!”: Deconstructing Gender and Sex in Bros (2022)
Lauren Herold / Kenyon College and Nicole Erin Morse / Florida Atlantic University

"Blonde is a Kind of Person": A Cultural History of the Dumb Blonde
Kelly Coyne / Northwestern University

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A critical forum on media and culture brought to you by the graduate students of @UTRTF.

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flowtv FLOW @flowtv ·
20 Sep

New in Over*Flow: @renherold and @cinefeminism examine the deconstruction of cis gay masculinity in the 2022 semi-satirical gay rom-com Bros, reassessing its "bad object" status. Read more here: https://www.flowjournal.org/2023/09/over-flow-gender-sex-bros/

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horrorlex Horror Lex® @horrorlex ·
16 Aug

NOPE is about the eye of the camera, but also Black defiance of it. Read Sophia Abbey's brief but excellent piece at @FlowTV, "Gazing Upwards: Spectacle, Surveillance, and Resistance in Nope." #OpenAccess
https://www.flowjournal.org/2023/08/gazing-upwards/

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flowtv FLOW @flowtv ·
2 May

Happy Tuesday, and happy Volume 29.07 release day! The final issue of Flow in the spring features work from @baker_r_r, @Naledgesince82, @caitmckinney, @MichaelSocolow, and Michele White! Read the full issue here: http://flowjournal.org

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flowtv FLOW @flowtv ·
7 Apr

TGIF!! Celebrate by reading vol. 29.06-up on the site now. Thx to @jenholt13 @rebeccasholt @kevindriscoll and @TrueIcaRash for their contributions!!

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