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Category: 26.01 – Special Issue: New Faces, New Voices, New Bodies

“Go back where you come from!”: Aesthetic identity, “This Land” and “Old Town Road”
Susan McFarlane-Alvarez / Clayton State University

September 16, 2019 Susan McFarlane-Alvarez / Clayton State University One comment

Through a close analysis of Gary Clark Jr.’s “This Land” and Lil Nas X’s “Old Town Road,” Susan McFarlane-Alvarez locates important negotiations of what constitutes belonging and country (western).

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#NotMyAriel: Safe Race-Swapping and the Casting of a Black Woman as Fish
Shearon Roberts / Xavier University of Louisiana

September 16, 2019 Shearon Roberts / Xavier University of Louisiana 5 comments

With the casting announcement of Halle Bailey as Ariel in Disney’s live-action adaptation of The Little Mermaid, Shearon Roberts analyzes the recent history of race-swapping in Disney films.

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A Bachelorette F***ing in a Windmill
Matthew H. Brittingham / Emory University

September 16, 2019 Matthew H. Brittingham / Emory University Leave a comment

Looking at the battle between Hannah and Luke on The Bachelorette, Matthew H. Brittingham examines the complicated intersection of faith and sex in American reality television.

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Nomi/No Me?: Race, Gender, and Power in No Time To Die
Lisa Funnell / University of Oklahoma

September 16, 2019 Lisa Funnell / University of Oklahoma 5 comments

Lisa Funnell asserts that the casting of a Black woman as 007 in the next James Bond installment reveals growing anxieties about minorities claiming more institutional and economic power.

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Television is Burning: Revolutionary Queer and Trans Representation on TV
Danielle Seid / Baruch College, CUNY

September 16, 2019 Danielle Seid / Baruch College, CUNY One comment

Danielle Seid offers a close reading of FX’s Pose and the ways it brings revolutionary queer and trans representations to TV.

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Strangers: Using the Small Screen to Expose Mainlandization
Andrew Gilmore / Colorado State University

September 16, 2019 Andrew Gilmore / Colorado State University 2 comments

Andrew Gilmore takes up Amazon’s Strangers to reveal the ways the show addresses the mainlandization of Hong Kong and the rising tide of protests against the CPC’s influence.

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In Toon with the Times: Diversity in American Commercial Animation
Mihaela Mihailova / University of Michigan

September 16, 2019 Mihaela Mihailova / University of Michigan One comment

Mihaela Mihailova brings attention to the diversity problem in animation—both on screen and in the industry—and examines a crop of contemporary programs responding to the call.

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Queer Female Superheroes: DC Comics Bombshells Tell Their Own Story
Christina M. Knopf / SUNY Cortland

September 16, 2019 Christina M. Knopf / SUNY Cortland One comment

Christina M. Knopf examines the industrial trajectory of DC Comics Bombshells, an all-female comic series that uses wartime premises to assert shifting gender roles and sexualities and foreground women in civic life and public spaces.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

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flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

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flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

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flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

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