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Category: 22.03

Not Your Grandmother’s “Super”: Julia, Olivia and Waning Black Exceptionalism
Bambi Haggins / Arizona State University

January 25, 2016 Bambi Haggins / Arizona State University Leave a comment

Bambi Haggins compares and contextualizes Scandal‘s Olivia Pope to Julia‘s titular character played by Diahann Carroll to investigate the complicated ways Black exemplarism informs the televisual construction of these women and Blacks on television more generally.

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Mapping Media Retail in the Global Midwest: Elkhart, IN
Dan Herbert / University of Michigan

January 25, 2016 Daniel Herbert / University of Michigan Leave a comment

Dan Herbert explores the interaction of entertainment media retail sites with Latino/a population distribution over time in Elkhart, IN.

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The Limits of Infinite Scroll: Gifsets and Fanmixes as Evolving Fan Traditions Louisa Stein / Middlebury College

January 25, 2016 Louisa Stein / Middlebury College 3 comments

Louisa Stein highlights evolving fan practices by examining two aesthetic forms, the gifset and the fanmix, that have evolved within interfaces that emphasize abundant multiplicity and multidirectional flow.

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How To Save a Beauty Pageant: Donald Trump, Steve Harvey and The Memeticization of Miss Universe 2015
Manuel G. Avilés-Santiago / Arizona State University

January 25, 2016 Manuel Aviles-Santiago / Arizona State University Leave a comment

Manuel G. Avilés-Santiago explores the intersections of pageants, politics, and social media in light of a newsworthy 2015 Miss Universe and pageants’ cultivation of media spreadability via “YouTube moments.”

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Victim + Bully = Love
Wendy Peters / Nipissing University

January 25, 2016 Wendy Peters / Nipissing University One comment

Wendy Peters examines the “victim + bully = love” narrative — the representation and rationalization of internalized homophobia and externalized violence as a precursor to same-sex romance — in teen television shows like Pretty Little Liars, 90210, and Glee.

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The Visual Discourse between Hammer Horror and Showtime’s Penny Dreadful
Garret Castleberry / Oklahoma City University

January 25, 2016 Garret Castleberry / Oklahoma City University 3 comments

Garrett Castleberry compares the Gothic horror tropes deployed by Showtime’s Penny Dreadful with Hammer Horror films by performing a discursive visual analysis of the two sets of texts.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

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flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

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flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

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flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

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