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A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

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Category: 20.02

Cost of Music: Media Scoring and Unions
Michael Harris / University of Colorado Boulder

August 4, 2014 Michael Harris / University of Colorado, Boulder Leave a comment

A look at the current state of musician as performer and their place in media industries.

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They Should Have Sent a Poet: Faith, Grief, and the Female Mystic in Contact
Natalie Bograd / University of Texas at Austin

August 4, 2014 Natalie Bograd / The University of Texas at Austin 11 comments

Natalie Bograd explores the idea of the female mystic in the film “Contact.”

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What Facebook’s Emotion Experiment Tells Us About What We Think About Feelings
Jennifer Petersen / University of Virginia

August 4, 2014 Jennifer Petersen / University of Virgina Leave a comment

A critical look at the results of and public response to the controversial Facebook Emotion Experiment of 2012.

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A Black 1967 Chevy Impala: Fan Shibboleths as Cultural Password
Mark Stewart / University of Auckland

August 4, 2014 Mark Stewart / University of Auckland 2 comments

An exploration of fans’ use of “shibboleths,” or passphrases used to subtly connect with other fans without identifying oneself as such to a broader audience.

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The Reign of Whitey is Over?
Christina Belcher / University of Southern California

August 4, 2014 Christina Belcher / University of Southern California One comment

An examination of race and the ethic of multiculturalism in Season 2 of Orange is the New Black.

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I Want My Vevo TV
Christopher Montes / University of Texas, Austin

August 4, 2014 Chris Montes / The University of Texas at Austin One comment

A discussion about Vevo TV and how such technological frameworks are inherent to our relation to music videos and western popular music.

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Without Warning
Melinda Barlow/University of Colorado at Boulder

August 4, 2014 Melinda Barlow University of Colorado Boulder 25 comments

Melinda Barlow muses on Kansas as depicted in film, art, and literature.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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FLOW
lcbrown91Laura Brown@lcbrown91·
31 May

It was an absolute pleasure to helm @FlowTV with @ashdharcourt this year! The biggest of thanks to our contributors, staff, and supporters! https://twitter.com/FlowTV/status/1531636621275058176

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FlowTVFLOW@FlowTV·
31 May

That’s a wrap on Volume 28. Shout out to our wonderful contributors and staff this past year. Also, be on the lookout out for our grad student issue that goes live in August!

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FlowTVFLOW@FlowTV·
30 May

Nicole Erin Morse examines how The Matrix (1999) interrupts and deconstructs the male gaze. @cinefeminism

Read the full column at:
https://www.flowjournal.org/2022/05/were-you-looking-at-the-woman-in-the-red-dress/

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