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Category: 12.08

Tricking the Taste Buds: Messages of Deception and Inconvenience in “Healthy” Food
Daren C. Brabham / UNC Chapel Hill

September 10, 2010 Daren C. Brabham / University of North Carolina at Chapel Hill 7 comments

Daren Brabham considers parental and societal bad habits of lying to children to make them eat vegetables.

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AIDS, History, and Generation in Brothers & Sisters,
Melanie Kohnen / Georgia Institute of Technology

September 10, 2010 Melanie E.S. Kohnen / Georgia Institute of Technology Leave a comment

Investigating the representation of gay culture, past and present, on ABC’s Brothers & Sisters.

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“The future, Mr. Gittes. The future”: Next Wave Filmmaking, Part 2*
Robert Sickels / Whitman College

September 10, 2010 Robert C. Sickels / Whitman College 4 comments

This essay, part 2 of a 2-part series, stems from a chapter on Next Wave filmmaking that will appear in American Film in the Digital Age.

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Betty’s Back? Remembering the Relevance of the Rerun in the Age of Social Media
Dan Faltesek / University of Iowa

September 10, 2010 Dan Faltesek / University of Iowa Leave a comment

Examining the prevalence of the television rerun in light of Betty White’s resurgent popularity and re-energized career.

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The Raw and the Cooking Channel: Men, Food and the Network Brand
Sarah Murray / FLOW Staff

September 10, 2010 Sarah Murray / FLOW Staff 8 comments

A look at the male role in the branding of the just-launched Cooking Channel.

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“We’re gonna need a montage”: musical cliche and the CSI franchise
Lisa Coulthard / University of British Columbia

September 10, 2010 Lisa Coulthard / University of British Columbia One comment

Musical montage can often suggest heightened action and “hard work” in television dramas. This article considers the musical montage trope as it relates to the action in CSI.

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¡VIVA LA BROWN PERIL! The Political and Temporal Landscape of Machete
Esteban del Rio / University of San Diego

September 10, 2010 Esteban del Río / University of San Diego 4 comments

A paratextual analysis of Robert Rodriguez’s recent “mexploitation” film, Machete

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: "I’m the Industry Baby”: The Political Economy of Lil Nas X
Wendy Peters / Nipissing University

Over*Flow: “One Train!”: Race, Gender and Class in Snowpiercer
Riziki Millanzi / University of Sussex

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FLOW
FlowTVFLOW@FlowTV·
21 Jan

Check out this call for papers from our colleagues! 10 days until submissions are due.

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FlowTVFLOW@FlowTV·
13 Jan

Hey folks! We are officially extending this CFP until Sunday, January 15

Looking forward to reading your submissions!

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disabledphdjess rauchberg@disabledphd·
6 Jan

‼️ 10 more days to submit! ‼️

@TomDivon & I are guest editing this special issue on BeReal and platform authenticities for @FlowTV.

This might be one of the *first* scholarly forums on BeReal! Submit your essays by Jan 15 to FlowJournalEditors@gmail.com. And please RT! https://twitter.com/FlowTV/status/1599820038071992320

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