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Category: 11.14 – Special Issue: The Archive

“Mechanisms for non-elite voices:” Mass-Observation and Twitter
Pamela Ingleton / McMaster University

May 21, 2010 Pamela Ingleton / McMaster University 4 comments

A look at Twitter’s placement in the Library of Congress within historical perspective.

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Caching and Crashing the Médiathèque
Mél Hogan / Concordia University

May 21, 2010 Mel Hogan / Concordia University 6 comments

Mel Hogan investigates the politics of archiving video art.

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What’re youse lookin’ at, Meathead?: Locating Archie Bunker Across Archives
Kimberly Springer / Williams College

May 21, 2010 Kimberly Springer / Williams College Leave a comment

Kimberly Springer looks at how America’s “most lovable bigot”, Archie Bunker, lives through the archives.

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A Walter Ong Artifact Travels Through Media, Time, and Meaning
Abigail Lambke / Saint Louis University

May 21, 2010 Abigail Lambke / Saint Louis University One comment

Moving through oral and written, artifact and archive at the Walter J. Ong archive at Saint Louis University.

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Beyond Netflix and TiVo: Rethinking HBO Through the Archive
Shayne Pepper / North Carolina State University

May 21, 2010 Shayne Pepper / North Carolina State University 7 comments

In order to properly study HBO, we need to visit the archive to make sense of its early original programming lineup.

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The Views of the Feminist Archive
Alexandra Juhasz / Pitzer College

May 21, 2010 Alexandra Juhasz / Brooklyn College, CUNY One comment

The video collection from the Los Angeles Woman’s Building offers a glimpse into a feminist archive in process.

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A Case for Imperfection: Confessions of a Digital Restoration Artist
Pauline Stakelon / University of California – Santa Barbara

May 21, 2010 Pauline Stakelon / University of California - Santa Barbara 6 comments

A digital archivist grapples with the dilemma of handling technological artifacts evident in the kinescope recordings of The Goldbergs.

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Infernal Archive: Medial States of Matter in the Netherlands Institue for Sound and Vision
Shannon Mattern / The New School

May 21, 2010 Shannon Mattern / The New School 5 comments

Examining the place of the archive at the Netherlands Institute for Sound and Vision

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Husker, Huckster: The Archival Brando
Lisa Patti / Cornell University

May 21, 2010 Lisa Patti / Cornell University One comment

A discussion of the restoration, for commercial ends, of the classical Brando as the dominant image of the once-fallen star in contemporary culture.

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Special Issue: The Archive

May 20, 2010 Mabel Rosenheck / FLOW Staff

In this special issue we sought to examine not only the media present, but the past and the past’s place in the present.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

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flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

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flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

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flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

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