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A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

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Category: 1.02

MGM, DVD, and “TV”

October 22, 2004 Thomas Schatz / University of Texas-Austin 12 comments

by: Thomas Schatz / University of Texas-Austin
Could DVD be the force that finally ushers in HD?

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“Print the Money”: Mediating the 2004 Elections

October 22, 2004 Anna Everett / University of California at Santa Barbara 2 comments

by: Anna Everett / University of California at Santa Barbara
The title of this essay derives from a telling remark made by ubiquitous network news super star journalist Tim Russert following the third Presidential Debate on October 13, 2004 . . .

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Political Polarization and the New Hollywood Blockbuster

October 22, 2004 Frederick Wasser / Brooklyn College 26 comments

by: Frederick Wasser / Brooklyn College CUNY
The connection between politics and movies is continuous and yet murky…

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Undecided Voter

October 22, 2004 Christopher Anderson / Indiana University 6 comments

by: Chris Anderson / Indiana University
Squirrel hunting once was a lovely way for a man to pass an autumn afternoon…

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Contemporary Television Criticism: State of the Art or Stuck in the Past?

October 22, 2004 Brian L. Ott / Colorado State University 8 comments

by: Brian L. Ott / Colorado State University
The launch of FLOW provides a unique opportunity to reflect on the current state of television criticism…

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What Can We Still Learn about Television from Raymond Williams?

October 22, 2004 Jim McGuigan / Loughborough University, UK 4 comments

by: Jim McGuigan / Loughborough University
When I was invited to write this column for Flow, I wondered where to start . . .

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Classifying Dahmer: Protecting Netflix’s Homonormative Canon
Dan Vena / Queen’s University & Sarah Woodstock / University of Toronto

"I’m the Industry Baby”: The Political Economy of Lil Nas X
Wendy Peters / Nipissing University

@FlowTV Conversations…

@FlowTVFollow

FLOW
FlowTVFLOW@FlowTV·
27 Jan

New to Over*Flow: Dan Vena and Sarah Woodstock argue that Netflix’s removal of Dahmer – Monster: The Jeffrey Dahmer Story from its LGBTQ TV category discards “unacceptable” queer history and protects the homonormativity of Netflix’s LGBTQ library.
https://www.flowjournal.org/2023/01/overflow-classifying-dahmer/

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FlowTVFLOW@FlowTV·
21 Jan

Check out this call for papers from our colleagues! 10 days until submissions are due.

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FlowTVFLOW@FlowTV·
13 Jan

Hey folks! We are officially extending this CFP until Sunday, January 15

Looking forward to reading your submissions!

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