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Category: 24.07

Saving New Sounds: The Sonic Web
Jeremy Wade Morris/ University of Wisconsin-Madison

April 30, 2018 Jeremy Wade Morris / University of Wisconsin-Madison 24 comments

In this article, Jeremy Wade Morris writes about the importance of archiving audio on the Internet and the absences in current web archives.

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Comics ⟷ Media: What’s a Comic Book Fan Worth?
Benjamin Woo / Carleton University

April 30, 2018 Benjamin Woo / Carleton University 2 comments

Looking at the most recent issues of the “New Super-Man” comic series, Woo analyzes and codes the paratextual promotional material to assess the relative value of fans to the comics industry.

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Social Justice Warriors as the “Alt-Right” Bogeyman
Adrienne Massanari / University of Illinois at Chicago

April 30, 2018 Adrienne Massanari / University of Illinois at Chicago 29 comments

Dr. Adrienne Massanari discusses how the “alt-right” deploy the term “Social Justice Warrior” and what it has come to mean and represent in online discourses.

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Playful Metros and the Aestheticization of Disrepair
Juan Llamas-Rodriguez / University of Texas at Dallas

April 30, 2018 Juan Llamas-Rodriguez / University of Texas at Dallas One comment

Juan Llamas-Rodriguez considers how the aesthetic fetishism of subway design risks distorting the materiality of and politics of transportation and communication infrastructure.

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Transnational Television Dramas and the Aesthetics of Conspicuous Localism
Tim Havens / University of Iowa

April 30, 2018 Tim Havens / University of Iowa 6 comments

Tim Havens discusses newer developments in high-end transnational television dramas, specifically noting the turn toward a stronger sense of place through “conspicuous localism.”

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Classifying Dahmer: Protecting Netflix’s Homonormative Canon
Dan Vena / Queen’s University & Sarah Woodstock / University of Toronto

"I’m the Industry Baby”: The Political Economy of Lil Nas X
Wendy Peters / Nipissing University

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FlowTVFLOW@FlowTV·
27 Jan

New to Over*Flow: Dan Vena and Sarah Woodstock argue that Netflix’s removal of Dahmer – Monster: The Jeffrey Dahmer Story from its LGBTQ TV category discards “unacceptable” queer history and protects the homonormativity of Netflix’s LGBTQ library.
https://www.flowjournal.org/2023/01/overflow-classifying-dahmer/

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FlowTVFLOW@FlowTV·
21 Jan

Check out this call for papers from our colleagues! 10 days until submissions are due.

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FlowTVFLOW@FlowTV·
13 Jan

Hey folks! We are officially extending this CFP until Sunday, January 15

Looking forward to reading your submissions!

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