Flow

Luis Rivera-Figueroa questions the concepts of mainstream and crossover as categories constructed by industrial practices.

Ryan David Briggs describes how The Big Shot with Bethenny reflects the increasing demands of the real world job search.

Andy Fischer Wright examines the commodification of non-fungible tokens (NFTs) by large media organizations in relation to Walter Benjamin’s (1935) “Art in the Age of Mechanical Reproduction.”

Alex Remington explores the complicated set of logics and ethics in the confessional form in reality television.

Kellie Veltri explores the concept and applications of self-aware product integration in television network comedies.

Kathryn Hartzell discusses the failed European Super League and the influence of television rights and growing global audiences on football.

Emily McTiernan examines Alamo Drafthouse’s moviegoing model and its viability in the exhibition market.