Over*Flow
Over*Flow: “One Train!”: Race, Gender and Class in Snowpiercer
Riziki Millanzi / University of Sussex
Riziki Millanzi assesses the Snowpiercer television series depiction of intersectional politics, arguing the show ignores the nuances and varied experiences of marginalized peoples to oppression.
Wanting a Latina Sophie: Bridgerton and the Desire for Problematic Representation
NIna Linhales Barker / University of Texas at Austin
Nina Linhales Barker discusses the complications of Latina fans wanting to see themselves represented in Netflix’s Bridgerton.
Read moreThe Branded Video Essay: How Streaming Services Use Media Criticism as Promotion
Tara Coughlin / University of Texas at Austin
Tara Coughlin examines the usefulness of the creative labor of video essayists to streaming services such as Amazon Prime and Netflix.
Read moreMy Hair Journey and the Black Women That Made It Possible
Sidney Garner / University of Texas at Austin
Sidney Garner reminisces on her hair care journey as a Black woman through Dr. Aria Halliday’s concept of Black women cultural producers in her recently published book “Buy Black.”
Read moreStill Watching Netflix and the Cross-Platform Ecosystem of Streaming Media
Katie Hoovestol / University of Texas at Austin
Katie Hoovestol examines Netflix’s branded YouTube account Still Watching Netflix as an extension of Netflix’s cross-platform ecosystem.
Read moreSpeculative Affect: Streaming Television’s Solution to Late-Stage Capitalism
Peter Arne Johnson / University of Texas At Austin
Peter Arne Johnson theorizes how pure play streaming services like Netflix have discursively deployed audience affect and speculation to inflate their market valuations.
Read more“I Am So Thankful for My Time at Peloton”: Self-Branding on LinkedIn
Emily McTiernan / University of Texas at Austin
Emily McTiernan discusses how laid-off Peloton workers used LinkedIn to self-brand and gain employment.
Read moreKOREAN WEBTOONS AS AN ORIGINAL SOURCE OF INTELLECTUAL PROPERTY FOR K-DRAMAS
HYUN-JUNG STEPHANY NOH / University of Texas at Austin
Hyun-jung Stephany Noh explores the inter-industrial relationship between Korean local webtoons and K-dramas amidst the growing demand for K-drama production in the SVOD era.
Read moreLeft Behind: Discourses of Legitimation and MTV’s Scream: The TV Series
Hannah Wold / University of Texas at Austin
Hannah Wold traces some of the ways in which the horror text Scream: The TV Series received reviews that precluded it from the distinction granted to the Scream film franchise, indicating that its intended audience and the MTV brand ensured that it was left behind in discourses of quality.
Read moreThe persistence of the soul: the afterlife in postsecular television
Helen Wheatley / University of Warwick
Helen Wheatley discusses the recent proliferation of afterlife-themed television shows and how creators navigate multiple conceptions of “post-death experience.”
Read moreCinema’s First Nasty Women (Or, How to Record a Celebrity Video Intro)
Maggie Hennefeld / University of Minnesota
Maggie Hennefeld discusses efforts to curate 99 silent films spotlighting early film feminism, and discusses the challenges of navigating the early feminist film archive.
Read more“Name One Male Director”: Gender, Genre, and Authorship in Rose Matafeo’s Starstruck
Stefania Marghitu / Loyola University New Orleans
Stefania Marghitu explores the intersections between gender, genre, and authorship via Rose Matafeo’s Starstruck.
Read moreSelling Smart TV Surveillance
CARA DICKASON / NORTHWESTERN UNIVERSITY
Cara Dickason examines how corporations sell Smart TVs as domestic surveillance technologies through gendered formulas.
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