Jacqueline Johnson demonstrates how looking at audience response to TV cancellations on Twitter can illustrate new themes in race and audience reception.
Casey Walker explores how Disney is using synergy between its content library and its theme parks as it prepares to launch a new streaming service to compete with Netflix.
Rusty Hatchell examines the shift in economic assertions regarding runaway production in Vancouver, British Columbia through high-budget sci-fi television.
Katrina Margolis considers the genre-bending of “Jessica Jones,” it’s blending of superhero and noir conventions, and the ways this bending of genre represents larger social and political issues for audiences.
