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Tag: 23.01

Audiovisuality and the Media Swirl: Campaign 2016
Carol Vernallis / Stanford University

October 25, 2016 Carol Vernallis / Stanford University One comment

Carol Vernallis investigates the state of campaign music in the 2016 Presidential election, asking why is there so little musically or audiovisually rich content this cycle?

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TV Finales: Rethinking the Cliffhanger
Casey McCormick / McGill University

October 24, 2016 Casey McCormick / McGill University 6 comments

Casey McCormick analyzes the relationship of the season finale cliffhanger to the economic, formal, and fandom elements of television, focusing in particular on the season 6 finale of AMC’s The Walking Dead.

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#TrumpIsRight: The Paradox of Digital Database Histories and Collective Memory
Eric Hahn / New York University

October 24, 2016 Eric Hahn / New York University 3 comments

Eric Hahn explores how user-generated digital databases complicate our understanding of the nature of reportage, history, and news coverage.

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“Always Off” Connection
Germaine Halegoua / University of Kansas

October 24, 2016 Germaine Halegoua / University of Kansas One comment

Germaine Halegoua explores the under-investigated networks within infrastructure studies: networks of “always off” connection that are purposefully constructed as dark or inactive.

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Bunker Mentality: Fortified Domesticity and the “Crazy Prepper” in 10 Cloverfield Lane
Greg Clinton | Stony Brook University

October 24, 2016 Greg Clinton / Stony Brook University 2 comments

Greg Clinton considers apocalyptic futures, survivalism, and “crazy preppers” as responses to changing social mores through 10 Cloverfield‘s representation of bunkers as fortified domestic spaces.

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To See and Not to See: Racial Economies of Visibility and Invisibility
Roopali Mukherjee / CUNY, Queens College

October 22, 2016 Roopali Mukherjee / Queens College 4 comments

Roopali Mukherjee discusses racial (in)visibility and the modern technical malfunctions that misidentify people of color while organizing and reifying powerful epidermal schema of differentiation and discrimination.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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lcbrown91Laura Brown@lcbrown91·
31 May

It was an absolute pleasure to helm @FlowTV with @ashdharcourt this year! The biggest of thanks to our contributors, staff, and supporters! https://twitter.com/FlowTV/status/1531636621275058176

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FlowTVFLOW@FlowTV·
31 May

That’s a wrap on Volume 28. Shout out to our wonderful contributors and staff this past year. Also, be on the lookout out for our grad student issue that goes live in August!

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FlowTVFLOW@FlowTV·
30 May

Nicole Erin Morse examines how The Matrix (1999) interrupts and deconstructs the male gaze. @cinefeminism

Read the full column at:
https://www.flowjournal.org/2022/05/were-you-looking-at-the-woman-in-the-red-dress/

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