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Tag: 23.01

Audiovisuality and the Media Swirl: Campaign 2016
Carol Vernallis / Stanford University

October 25, 2016 Carol Vernallis / Stanford University One comment

Carol Vernallis investigates the state of campaign music in the 2016 Presidential election, asking why is there so little musically or audiovisually rich content this cycle?

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TV Finales: Rethinking the Cliffhanger
Casey McCormick / McGill University

October 24, 2016 Casey McCormick / McGill University 6 comments

Casey McCormick analyzes the relationship of the season finale cliffhanger to the economic, formal, and fandom elements of television, focusing in particular on the season 6 finale of AMC’s The Walking Dead.

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#TrumpIsRight: The Paradox of Digital Database Histories and Collective Memory
Eric Hahn / New York University

October 24, 2016 Eric Hahn / New York University One comment

Eric Hahn explores how user-generated digital databases complicate our understanding of the nature of reportage, history, and news coverage.

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“Always Off” Connection
Germaine Halegoua / University of Kansas

October 24, 2016 Germaine Halegoua / University of Michigan One comment

Germaine Halegoua explores the under-investigated networks within infrastructure studies: networks of “always off” connection that are purposefully constructed as dark or inactive.

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Bunker Mentality: Fortified Domesticity and the “Crazy Prepper” in 10 Cloverfield Lane
Greg Clinton | Stony Brook University

October 24, 2016 Greg Clinton / Stony Brook University 2 comments

Greg Clinton considers apocalyptic futures, survivalism, and “crazy preppers” as responses to changing social mores through 10 Cloverfield‘s representation of bunkers as fortified domestic spaces.

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To See and Not to See: Racial Economies of Visibility and Invisibility
Roopali Mukherjee / CUNY, Queens College

October 22, 2016 Roopali Mukherjee / Queens College 4 comments

Roopali Mukherjee discusses racial (in)visibility and the modern technical malfunctions that misidentify people of color while organizing and reifying powerful epidermal schema of differentiation and discrimination.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
10 Nov

Examining South Korea’s rapid economic ascent, Gil-Soo Han reveals how “nouveau-riche nationalism” collides with migrant realities. Centering on the Naju forklift abuse case, he exposes how economic pride and social hierarchy intersect

Read it here: http://tinyurl.com/5ywctjz5

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6 Nov

Golden M. Owens reinterprets Rosey the Robot as a futuristic Mammy figure, linking domestic servitude, robot etymologies, and animation history to show how racialized labor logics persist beneath the surface of family entertainment.

Read it here: http://tinyurl.com/56v38frs

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5 Nov

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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