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Siobhán McHugh / University of Wollongong, Australia

Siobhán McHugh is Associate Professor in Journalism at the University of Wollongong, Australia. She is an award-winning audio producer, whose work has been recognized by the New York Radio Festival (two gold, two bronze), the Walkleys Awards for Excellence in Journalism and the UN. Siobhan co-produced Phoebe’s Fall, a podcast by The Age newsroom in Melbourne which examined the bizarre death of a young woman. Phoebe’s Fall deposed Serial from the #1 slot in Australian iTunes, won national and international awards and triggered a review of the Victorian Coroner’s Act. She also co-produced Wrong Skin (2018), a podcast about the clash of ancient Aboriginal law and modern Australian culture. She co-hosts a podcast, Heart of Artness, that showcases academic research into crosscultural currents that animate Aboriginal art production. Siobhan is Founding Editor of RadioDoc Review, which commissions in-depth critiques of the world’s best storytelling podcasts and audio features.

Beyond Journal Articles: Navigating the NTRO (Non-Traditional Research Outcome)
Siobhán McHugh / University of Wollongong, Australia

April 27, 2019 Siobhán McHugh / University of Wollongong, Australia 3 comments

Siobhán McHugh discusses how the podcasting boom is triggering exciting new interdisciplinary collaborations that harness the under-appreciated power of audio as a research platform.

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What Happens When Chinese and Western Podcasters Meet?
Siobhán McHugh /University of Wollongong

February 22, 2019 Siobhán McHugh / University of Wollongong, Australia One comment

Siobhán McHugh examines the transcultural strategies employed by Chinese podcasters in their translation of Western podcasts for the Chinese market.

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Podcasting’s Dirty Secret: Audio Storytelling Takes Art, Craft—and Tons of Time
Siobhán McHugh / University of Wollongong

November 27, 2018 Siobhán McHugh / University of Wollongong, Australia 11 comments

Siobhán McHugh explores podcasting and audio storytelling as mediums and the artistry and skill involved in its production.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

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Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
1 May

In "Welcome to Wrexham and Representations of Management in Football (Soccer) as a Product of the “Media Sports Cultural Complex”" Andrew Stubbs-Lacy explores representation & construction of management in football with a focus on Welcome to Wrexham. Read: http://tinyurl.com/4z7wkuk8

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30 Apr

Dr. Roderik Smits explores various factors affecting what constitutes “fair pay” in the film and television industries. Read it here: http://tinyurl.com/mrn5wv9v

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flowtv FLOW @flowtv ·
29 Apr

Gerald Sim critiques Big Tech’s lobbying strategies against antitrust legislation, arguing that companies use technoliberal narratives, racialized imagery & nationalist rhetoric, such as the “China Argument,” to manipulate public opinion and more. http://tinyurl.com/ycka7652

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flowtv FLOW @flowtv ·
28 Apr

.@mediated1 argues that advertising’s integration of AI media technologies is not driven by natural market tendencies but from systemic commodification & political-economic forces, analyzed through the Political Economy of Media & Communications framework. http://tinyurl.com/3yajfcmb

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