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Mia Fischer / University of Colorado Denver

Mia Fischer is an Associate Professor in the Department of Communication at the University of Colorado Denver. Working at the intersections of critical media, sports, queer, trans and surveillance studies, her work has appeared in Feminist Media Studies, Communication, Culture & Critique, Sexualities, Journal of Sport and Social Issues, Communication & Sport, QED: A Journal in GLBTQ Worldmaking among other venues. Her monograph, Terrorizing Gender: Transgender Visibility and the Surveillance Practices of the U.S. Security State (University of Nebraska Press, 2019) is the recipient of NCA’s Diamond Anniversary Book Award. Mia is currently working on a larger project that contextualizes the rise of anti-trans legislation since 2020 within the broader resurgence of white supremacy and anti-democratic forces in the U.S.

“Doom and Groom”: Rightwing Media and the Rise of Anti-Trans Legislation
Mia Fischer / University of Colorado Denver

December 7, 2022 Mia Fischer / University of Colorado Denver Leave a comment

Dr. Mia Fischer takes a closer look at the rightwing media’s rhetoric of fear-mongering regarding anti-trans legislation.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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3h

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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23h

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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3 Nov

From Squid Game pop-ups to Netflix House installations, Hyun-Jung Stephany Noh traces how dystopian K-dramas become immersive, branded experiences. Her essay shows how Netflix turns speculative fiction into a global marketing spectacle
Read it here: http://tinyurl.com/h7epx33m

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29 Oct

Helen Piper examines the show The Assembly and compares the UK & Australian versions. In doing so, she reveals how format and post-production choices shape risk, reciprocity, and the politics of inclusion.

Read it here: http://tinyurl.com/5y7y4cax

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