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Kevin Driscoll / University of Virginia

Kevin Driscoll is an associate professor of media studies at the University of Virginia. His recent research involves alternative histories of the internet, the politics of amateur telecommunications, and the moral economy of consumer software. In collaboration with Julien Mailland, he published "Minitel: Welcome to the Internet" (MIT Press, 2017) and maintains the Minitel Research Lab, USA. His latest book, "The Modem World: A Prehistory of Social Media" (Yale University Press, 2022) tells a new origin story for social media through the dial-up bulletin board systems of the 1980s and 1990s.

Do we misremember Eternal September?
Kevin Driscoll / University of virginia

April 3, 2023 Kevin Driscoll / University of Virginia Leave a comment

Kevin Driscoll reconsiders narratives of 1993’s Eternal September to argue these communities were not the end, but the beginning of a more open, inclusive internet.

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They thought advertising would make the internet free
KEVIN DRISCOLL / UNIVERSITY OF VIRGINIA

November 7, 2022 Kevin Driscoll / University of Virginia One comment

Kevin Driscoll explores the internet that might-have-been through the history of Juno’s ad-supported email service.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

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Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
10 Nov

Examining South Korea’s rapid economic ascent, Gil-Soo Han reveals how “nouveau-riche nationalism” collides with migrant realities. Centering on the Naju forklift abuse case, he exposes how economic pride and social hierarchy intersect

Read it here: http://tinyurl.com/5ywctjz5

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6 Nov

Golden M. Owens reinterprets Rosey the Robot as a futuristic Mammy figure, linking domestic servitude, robot etymologies, and animation history to show how racialized labor logics persist beneath the surface of family entertainment.

Read it here: http://tinyurl.com/56v38frs

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5 Nov

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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