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Kathleen Loock / University of Flensburg

Kathleen Loock holds a postdoc position in American Studies at the University of Flensburg (Germany), where she works as associate editor of the journal Amerikastudien / American Studies. Her research focuses on Hollywood’s remaking practice, seriality, and the role memory and cultural repetition perform on the levels of identity formation and for the maintenance of imagined communities. Kathleen is author of Kolumbus in den USA (Transcript-Verlag, 2014), co-editor of Film Remakes, Adaptations, and Fan Productions (with Constantine Verevis, Palgrave Macmillan, 2012), and has edited several special issues: Serial Narratives (LWU: Literatur in Wissenschaft und Unterricht, 2014), Exploring Film Seriality (Film Studies, with Frank Krutnik, 2017), and American TV Series Revivals (Television & New Media, 2018). Her video essay on Blade Runner 2049 was recently published in [in]Transition: Journal of Videographic Film & Image Studies 6.3 (2019), screened at the Besides the Screen Festival (Brazil) and the Adelio Ferrero Festival (Italy), and shortlisted for the Adelio Ferrero Award. Kathleen is currently finishing her book Hollywood Remaking (under contract with University of California Press).

Fatherhood and Franchise Revivals: The Curious Case of Harrison Ford
Kathleen Loock / Europa-Universität Flensburg

June 1, 2020 Kathleen Loock / University of Flensburg Leave a comment

Using Harrison Ford as a case study, Kathleen Loock examines the shifting role of aging male actors in blockbuster franchise sequels from hypermasculine hero to father.

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“Forever Young”: Digital De-Aging, Memory, and Nostalgia
Kathleen Loock / Europa-Universität Flensburg

April 6, 2020 Kathleen Loock / University of Flensburg 5 comments

Kathleen Loock explores the increasing use of digital de-aging in Hollywood cinema and how the phenomenon affects stars’ personas and audience memory and nostalgia.

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“The Most Wonderful Time of the Year”: Christmas Classics Old and New
Kathleen Loock / University of Flensburg

November 28, 2019 Kathleen Loock / University of Flensburg 4 comments

Kathleen Loock compares definitive Christmas classics It’s a Wonderful Life and Drei Haselnüsse für Aschenbrödel to contemporary holiday movie releases from Netflix, exploring how the streaming service is using the niche to create Christmas movies for a global audience.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

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Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
3 Nov

From Squid Game pop-ups to Netflix House installations, Hyun-Jung Stephany Noh traces how dystopian K-dramas become immersive, branded experiences. Her essay shows how Netflix turns speculative fiction into a global marketing spectacle
Read it here: http://tinyurl.com/h7epx33m

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flowtv FLOW @flowtv ·
29 Oct

Helen Piper examines the show The Assembly and compares the UK & Australian versions. In doing so, she reveals how format and post-production choices shape risk, reciprocity, and the politics of inclusion.

Read it here: http://tinyurl.com/5y7y4cax

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flowtv FLOW @flowtv ·
28 Oct

Guillermina Zabala Suárez asks: Can digital media become a device to create awareness of health issues in out communities?

Read it here: http://tinyurl.com/mt5secz3

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flowtv FLOW @flowtv ·
30 Jul

In a new essay, @LaurelPRogers examines the role of the fanboy auteur in HBO's backstage comedy "The Franchise," which satirizes Hollywood's superhero industrial complex. Read: https://www.flowjournal.org/2025/07/fanboy-auteur-hbo-franchise/

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