Skip to content

Flow

A Critical Forum on Media and Culture

Flow logo (gif)

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • HOW TO CONTRIBUTE
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Golden Owens / University of Washington

Golden M. Owens explores and teaches about representations of race and gender, artificial intelligence, haunting, popular culture, and racialized sounds and voices. Her first book project examines intelligent virtual assistants such as Amazon’s Alexa, Apple’s Siri, and OpenAI’s ChatGPT, contending that these aides evoke and are haunted by Black women slaves, servants, and houseworkers in the United States. The project demonstrates this haunting through analyzing popular 20th and 21st-century media depictions of Black female domestic workers, robotic and/or artificially intelligent servants/helpers, labor-saving products and devices, and contemporary virtual aides.

Dr. Owens' work appears in Sounding Out! and the Journal for Cinema and Media Studies. Her research has been funded by the Ford Foundation, the Institute for Citizens and Scholars, the Social Science Research Council, the Mellon Foundation, and UW’s Simpson Center.

Robotic Slaves and Where to Find Them: Racial(ized) Servitude in The Jetsons
Golden M. Owens / University of Washington

October 22, 2025 Golden Owens / University of Washington Leave a comment

Owens argues that Rosey the Robot from The Jetsons demonstrates the connection between service technologies and Black housemaid archetypes, lending to considerations of how technologies can contain and disseminate harmful ideologies.

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

image description
Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

@FlowTV Conversations…

FLOW Follow

A critical forum on media and culture brought to you by the graduate students of @UTRTF.

FlowTV
flowtv FLOW @flowtv ·
10 Nov

Examining South Korea’s rapid economic ascent, Gil-Soo Han reveals how “nouveau-riche nationalism” collides with migrant realities. Centering on the Naju forklift abuse case, he exposes how economic pride and social hierarchy intersect

Read it here: http://tinyurl.com/5ywctjz5

Reply on Twitter 1987948366630695071 Retweet on Twitter 1987948366630695071 Like on Twitter 1987948366630695071 Twitter 1987948366630695071
flowtv FLOW @flowtv ·
6 Nov

Golden M. Owens reinterprets Rosey the Robot as a futuristic Mammy figure, linking domestic servitude, robot etymologies, and animation history to show how racialized labor logics persist beneath the surface of family entertainment.

Read it here: http://tinyurl.com/56v38frs

Reply on Twitter 1986568385329520868 Retweet on Twitter 1986568385329520868 Like on Twitter 1986568385329520868 Twitter 1986568385329520868
flowtv FLOW @flowtv ·
5 Nov

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

Reply on Twitter 1986138451927048203 Retweet on Twitter 1986138451927048203 Like on Twitter 1986138451927048203 Twitter 1986138451927048203
flowtv FLOW @flowtv ·
4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

Reply on Twitter 1985831190905978886 Retweet on Twitter 1985831190905978886 Like on Twitter 1985831190905978886 1 Twitter 1985831190905978886
Load More

Popular Posts

  • Pass the Remote: Online News

    June 10, 2005 179 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 95 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 92 comments
  • Awkward Conversations About Uncomfortable Laughter

    November 4, 2005 67 comments
  • Why Don’t I Like Breaking Bad?
    Kate Warner / University of Queensland
    February 11, 2014 60 comments

Tags

Advertising American Politics Branding Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Global Media Global Politics Industry Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media Sports Media streaming Technology Television Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Volume 30 Volume 31 Youth Culture