Skip to content

Flow

A Critical Forum on Media and Culture

Flow logo (gif)

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • HOW TO CONTRIBUTE
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Eric Harvey / Grand Valley State University

Eric Harvey is an Associate Professor in the School of Communications at Grand Valley State University. His book Who Got the Camera? A History of Rap and Reality was published by the University of Texas Press in 2021. He can be found on Bluesky--and elsewhere online--at @ericdharvey.

Work Songs: Tiny Desk Concerts Reimagines Music Video and Public Radio
Eric Harvey / Grand Valley State University

March 26, 2025 Eric Harvey / Grand Valley State University Leave a comment

Eric Harvey examines the shifts in live music consumption with a focus on the evolution of NPR’s Tiny Desk Concerts.

Read more

And You Love The Game: Stream-Pop as a Never-Ending Scavenger Hunt
Eric Harvey / Grand Valley State University

November 13, 2024 Eric Harvey / Grand Valley State University Leave a comment

Eric Harvey discusses how contemporary music stardom pulls fans and commentators into a rabbit hole of never-ending engagement.

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

image description
Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

@FlowTV Conversations…

FLOW Follow

A critical forum on media and culture brought to you by the graduate students of @UTRTF.

FlowTV
flowtv FLOW @flowtv ·
3 Nov

From Squid Game pop-ups to Netflix House installations, Hyun-Jung Stephany Noh traces how dystopian K-dramas become immersive, branded experiences. Her essay shows how Netflix turns speculative fiction into a global marketing spectacle
Read it here: http://tinyurl.com/h7epx33m

Reply on Twitter 1985390289679159659 Retweet on Twitter 1985390289679159659 Like on Twitter 1985390289679159659 Twitter 1985390289679159659
flowtv FLOW @flowtv ·
29 Oct

Helen Piper examines the show The Assembly and compares the UK & Australian versions. In doing so, she reveals how format and post-production choices shape risk, reciprocity, and the politics of inclusion.

Read it here: http://tinyurl.com/5y7y4cax

Reply on Twitter 1983623071455203427 Retweet on Twitter 1983623071455203427 Like on Twitter 1983623071455203427 Twitter 1983623071455203427
flowtv FLOW @flowtv ·
28 Oct

Guillermina Zabala Suárez asks: Can digital media become a device to create awareness of health issues in out communities?

Read it here: http://tinyurl.com/mt5secz3

Reply on Twitter 1983246102254989449 Retweet on Twitter 1983246102254989449 Like on Twitter 1983246102254989449 Twitter 1983246102254989449
flowtv FLOW @flowtv ·
30 Jul

In a new essay, @LaurelPRogers examines the role of the fanboy auteur in HBO's backstage comedy "The Franchise," which satirizes Hollywood's superhero industrial complex. Read: https://www.flowjournal.org/2025/07/fanboy-auteur-hbo-franchise/

Reply on Twitter 1950653050278105567 Retweet on Twitter 1950653050278105567 1 Like on Twitter 1950653050278105567 6 Twitter 1950653050278105567
Load More

Popular Posts

  • Pass the Remote: Online News

    June 10, 2005 179 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 95 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 91 comments
  • Awkward Conversations About Uncomfortable Laughter

    November 4, 2005 67 comments
  • Why Don’t I Like Breaking Bad?
    Kate Warner / University of Queensland
    February 11, 2014 60 comments

Tags

Advertising American Politics Branding Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Global Media Global Politics Industry Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media Sports Media streaming Technology Television Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Volume 30 Volume 31 Youth Culture