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Eleanor Patterson / Auburn University

Eleanor Patterson is an Associate Professor of Film and Media Studies at Auburn University, and her research focuses on broadcast history and distribution cultures. Eleanor’s work has appeared in publications like The Journal of Cinema & Media Studies, Television & New Media, and others. Her book, Bootlegging the Airwaves, was published by University of Illinois Press in 2024.

Just Pretend: Elvis Girlies, Social Media and Embodied Play
Eleanor Patterson / Auburn University

February 19, 2025 Eleanor Patterson / Auburn University Leave a comment

Eleanor Patterson explores how Elvis Girlies “play around” with history.

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Digital Transmissions: Thinking Historically About Broadcasting and Electronic Sell-Through in the Digital Era
Eleanor Patterson / Auburn University

October 9, 2024 Eleanor Patterson / Auburn University One comment

Eleanor Patterson challenges the idea that the post-network era is defined by a break from prior distribution models, highlighting a long history of offering broadcast programming as singular, “on-demand” commodities.

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From Network Syndicator to Adult Disney: A Brief History Of Hulu
Eleanor Patterson / Auburn University

June 3, 2021 Eleanor Patterson / Auburn University 2 comments

Eleanor Patterson analyzes Hulu’s initial aim of adapting broadcast distribution logics into streaming distribution and the service’s contemporary shift to an “Adult Disney” service.

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Ugly Crying, This is Us and the Discursive Construct of Emotional Excess
Eleanor Patterson / Auburn University

April 5, 2021 Eleanor Patterson / Auburn University Leave a comment

Eleanor Patterson analyzes how the emotional excess of This is Us connects it to historically feminized theorizations of mass culture and melodrama.

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Tape Trading Professional Wrestling and the History of TV Distribution
Eleanor Patterson / Auburn University

December 4, 2020 Eleanor Patterson / Auburn University Leave a comment

Using professional wrestling as a case study to analyze unofficial broadcast distribution, Eleanor Patterson analyzes the role of tape trading and fan communities to the circulation of pro-wrestling media.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

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Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
1 May

In "Welcome to Wrexham and Representations of Management in Football (Soccer) as a Product of the “Media Sports Cultural Complex”" Andrew Stubbs-Lacy explores representation & construction of management in football with a focus on Welcome to Wrexham. Read: http://tinyurl.com/4z7wkuk8

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flowtv FLOW @flowtv ·
30 Apr

Dr. Roderik Smits explores various factors affecting what constitutes “fair pay” in the film and television industries. Read it here: http://tinyurl.com/mrn5wv9v

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flowtv FLOW @flowtv ·
29 Apr

Gerald Sim critiques Big Tech’s lobbying strategies against antitrust legislation, arguing that companies use technoliberal narratives, racialized imagery & nationalist rhetoric, such as the “China Argument,” to manipulate public opinion and more. http://tinyurl.com/ycka7652

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flowtv FLOW @flowtv ·
28 Apr

.@mediated1 argues that advertising’s integration of AI media technologies is not driven by natural market tendencies but from systemic commodification & political-economic forces, analyzed through the Political Economy of Media & Communications framework. http://tinyurl.com/3yajfcmb

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