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Category: 31.01

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Matthew Crain / Miami University

October 9, 2024 Matthew Crain / Miami University One comment

Perplexity, an AI search engine, is introducing advertising to generate revenue, driven by the demands of venture capital investors. The author questions the impact of this shift, highlighting concerns about privacy, the dominance of ad-based business models, and the future of AI-powered technologies.

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K-pop Fandom is Fast Becoming an Empowering Space for LGBTQ+ Youth Around the World
Thomas Baudinette / Macquarie University

October 9, 2024 Thomas Baudinette / Macquarie University Leave a comment

K-pop fandom is emerging as a global safe space for LGBTQ+ youth, offering community and resources for identity exploration. This trend creates a paradox, as the fandom’s empowering effects contrast with South Korea’s largely homophobic societal norms.

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Digital Transmissions: Thinking Historically About Broadcasting and Electronic Sell-Through in the Digital Era
Eleanor Patterson / Auburn University

October 9, 2024 Eleanor Patterson / Auburn University One comment

Eleanor Patterson challenges the idea that the post-network era is defined by a break from prior distribution models, highlighting a long history of offering broadcast programming as singular, “on-demand” commodities.

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Parallel Hierarchies: Navigating Assistantship in Hollywood’s Above and Below the Line Divide
Kiah Bennett / Muhlenberg College

October 9, 2024 Kiah Bennett / Muhlenberg College Leave a comment

Bennett examines the unique position of Hollywood assistants as “across-the-line” workers and reveals critical insights into the industry’s hierarchical structures and gatekeeping mechanisms, particularly regarding race, gender, and class dynamics.

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Outside YouTube, Inside Netflix: Bo Burnham and Contemporary Production Culture
Ben Rogerson / Texas Tech University

October 9, 2024 Ben Rogerson / Texas Tech University Leave a comment

Through a combination of musical performances, formal reflexivity and cringe confession, Bo Burnham’s 2021 Netflix comedy special Inside theorizes on the self-management and exploitation of creative labor in the contemporary media industries.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

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flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

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flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

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flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

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