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Category: 23.05

Fart Jokes, Pranks, Selfies and Other Applications of Smart Technologies
Germaine R Halegoua / University of Kansas

March 27, 2017 Germaine Halegoua / University of Michigan Leave a comment

Germaine Halegoua explores how users seem to appreciate Internet of Everything technologies for playful engagements or misuse rather than their utilitarian efficiencies.

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Power-Knowledge in a ‘Post-Truth’ World
Roopali Mukherjee / CUNY, Queens College

March 27, 2017 Roopali Mukherjee / Queens College One comment

Rooplai Mukherjee explores how post-truth/post-fact political scripts are contested by empirical and racial counter-knowledges of the marginalized public spheres that they simultaneously attempt to silence.

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From Dust till Drone: Roomba Aesthetics and Non-Human Cinema
Neta Alexander / New York University

March 27, 2017 Neta Alexander / New York University 2 comments

Neta Alexander explores the mechanical gaze of machine-made film and video, particularly Roomba films, contextualizing them within the long tradition of non-human cinema that challenges our anthropocentric perspective.

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I Am Woman, See Me Bleed: from Tampon Taboo to the Pro-Period Movement
Alexis Carreiro / Queens University of Charlotte

March 27, 2017 Alexis Carreiro / Queens University of Charlotte Leave a comment

Alexis Carreiro explores the “year of the period,” i.e., the recent pro-period movement to free women’s menstrual cycles from their cultural stigma.

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TV Finales: On-Demand Endings
Casey McCormick / McGill University

March 27, 2017 Casey McCormick / McGill University 5 comments

Casey McCormick examines what she calls “Netflix poetics” to explore how the proliferation of video-on-demand services such as Netflix is changing the way we watch and experience TV finales.

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TV Critics and Taste Culture, or Why Everyone Ignored Oxygen’s Funny Girls
Stephanie Brown / University of Illinois, Urbana-Champaign

March 27, 2017 Stephanie Brown / University of Illinois, Urbana-Champaign One comment

Stephanie Brown explores the ways in which entrenched taste cultures and gendered hierarchies led critics to dismiss and disparage Oxygen’s docu-drama Funny Girls.

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Competition, Economics, and Social Trends: Assessing the Value in Kids Cooking Shows
D. Jordan Davis / Independent Scholar

March 27, 2017 D. Jordan Davis / Independent Scholar 5 comments

D. Jordan Davis explores the recent trend of kids cooking shows, examining both the positive and negative implications such competitive shows have on young people who want to cook.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Classifying Dahmer: Protecting Netflix’s Homonormative Canon
Dan Vena / Queen’s University & Sarah Woodstock / University of Toronto

"I’m the Industry Baby”: The Political Economy of Lil Nas X
Wendy Peters / Nipissing University

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FlowTVFLOW@FlowTV·
27 Jan

New to Over*Flow: Dan Vena and Sarah Woodstock argue that Netflix’s removal of Dahmer – Monster: The Jeffrey Dahmer Story from its LGBTQ TV category discards “unacceptable” queer history and protects the homonormativity of Netflix’s LGBTQ library.
https://www.flowjournal.org/2023/01/overflow-classifying-dahmer/

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FlowTVFLOW@FlowTV·
21 Jan

Check out this call for papers from our colleagues! 10 days until submissions are due.

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FlowTVFLOW@FlowTV·
13 Jan

Hey folks! We are officially extending this CFP until Sunday, January 15

Looking forward to reading your submissions!

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