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A Critical Forum on Media and Culture

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Category: 12.09

Merata Mita (1942-2010) and the Idea of an Accented Pacific Cinema
Konrad Ng / University of Hawai’i at Mānoa

September 24, 2010 Konrad Ng / University of Hawai'i at Mānoa 3 comments

A view into the world of indigenous filmmaking through the life of Merata Mita including reflections on an “accented” approach to Pacific cinema.

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Chop Shop, Music Supervision and The Recording Industry’s Possible Futures
Kyle Barnett / Bellarmine University

September 24, 2010 Kyle Barnett / Bellarmine University 2 comments

An analysis of the role of the “music supervisor” in contemporary multimedia American recording industry practices.

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Revisiting “The Canadian Conspiracy”
R. Colin Tait / FLOW Staff

September 24, 2010 R. Colin Tait / Texas Christian University 7 comments

Are Canadians taking over Hollywood? Is Canada trying to infiltrate the entertainment industry from within? Colin Tait investigates the “Canadian Conspiracy.”

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De-racializing “Deadbeat Dads:” Paternal Involvement in MTV’s Teen Mom
Samuel Jay / University of Denver

September 24, 2010 Samuel Jay / University of Denver 4 comments

A look at MTV’s Teen Mom and how the show transforms the image of “deadbeat dads.”

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Modern Family, Glee, and the Limits of Television Liberalism
Alexander Doty / Indiana University

September 24, 2010 Alexander Doty / Indiana University 15 comments

The 2010 Emmy broadcast reveals the tensions of a liberal politics of representation in the shows Glee and Modern Family.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Classifying Dahmer: Protecting Netflix’s Homonormative Canon
Dan Vena / Queen’s University & Sarah Woodstock / University of Toronto

"I’m the Industry Baby”: The Political Economy of Lil Nas X
Wendy Peters / Nipissing University

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FLOW
FlowTVFLOW@FlowTV·
27 Jan

New to Over*Flow: Dan Vena and Sarah Woodstock argue that Netflix’s removal of Dahmer – Monster: The Jeffrey Dahmer Story from its LGBTQ TV category discards “unacceptable” queer history and protects the homonormativity of Netflix’s LGBTQ library.
https://www.flowjournal.org/2023/01/overflow-classifying-dahmer/

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FlowTVFLOW@FlowTV·
21 Jan

Check out this call for papers from our colleagues! 10 days until submissions are due.

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FlowTVFLOW@FlowTV·
13 Jan

Hey folks! We are officially extending this CFP until Sunday, January 15

Looking forward to reading your submissions!

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