Skip to content

Flow

A Critical Forum on Media and Culture

Flow logo (gif)

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • HOW TO CONTRIBUTE
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Category: 1.10

Who Wants to be a Crorepati?: Global Television and Local Genres in India

February 18, 2005 Shanti Kumar / University of Texas 2 comments

by: Shanti Kumar / University of Texas-Austin
In 2000, when Star Plus Channel launched Kaun Banega Crorepati? (KBC), the Indian version of Who Wants to Be a Millionaire?, the show quickly became the biggest hit on Indian television.

Read more

Set Your Cathode Rays to Stun(ning)

February 18, 2005 Brian L. Ott / Colorado State University 7 comments

by: Brian L. Ott / Colorado State University
I’m coming out … and I’m doing it on FLOW. I suppose that, in some ways, I’ve always known that I was a bit “different.”

Read more

Why Media Scholars Should Write Corporate Histories

February 18, 2005 Frederick Wasser / Brooklyn College 5 comments

by: Frederick Wasser / Brooklyn College
Several trade publications have received notices that last month was the tenth anniversary of the launch of WB and UPN, the fifth and sixth broadcast TV networks, dubbed by the trades in their argot as “weblets.”

Read more

The Power of Nightmares

February 18, 2005 Jim McGuigan / Loughborough University, UK 4 comments

by: Jim McGuigan / Loughborough University
A recent TV documentary series prompted me to reflect upon the intellectual capacities of television, which are more often than not considered fairly limited.

Read more

At Last, TV for People Just Like Me

February 18, 2005 Christopher Anderson / Indiana University 10 comments

by: Christopher Anderson / Indiana University
I hate your favorite television show. Honestly. I loathe it. You love it, I know. But it’s a stinking pile of shit.

Read more

What the Arab World Should be Watching

February 18, 2005 Nabil Echchaibi / Indiana University-Bloomington 4 comments

by: Nabil Echchaibi / Indiana University
I still cherish the memory of my old shortwave radio tucked underneath my bed when I was in Morocco.

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

image description
Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

@FlowTV Conversations…

FLOW Follow

A critical forum on media and culture brought to you by the graduate students of @UTRTF.

FlowTV
flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

Reply on Twitter 1884761812777754705 Retweet on Twitter 1884761812777754705 Like on Twitter 1884761812777754705 2 Twitter 1884761812777754705
flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

Reply on Twitter 1873142787815968998 Retweet on Twitter 1873142787815968998 3 Like on Twitter 1873142787815968998 12 Twitter 1873142787815968998
flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

Reply on Twitter 1872372705070371178 Retweet on Twitter 1872372705070371178 2 Like on Twitter 1872372705070371178 2 Twitter 1872372705070371178
flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

Reply on Twitter 1871234809906823300 Retweet on Twitter 1871234809906823300 1 Like on Twitter 1871234809906823300 4 Twitter 1871234809906823300
Load More

Popular Posts

  • Pass the Remote: Online News

    June 10, 2005 179 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 95 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 91 comments
  • Awkward Conversations About Uncomfortable Laughter

    November 4, 2005 67 comments
  • Why Don’t I Like Breaking Bad?
    Kate Warner / University of Queensland
    February 11, 2014 60 comments

Tags

Advertising American Politics Branding Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Global Media Global Politics Industry Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media Sports Media streaming Technology Television Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Volume 30 Volume 31 Youth Culture