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Category: 24.08

3 Ways that BTS and its Fans are Redefining Liveness
Michelle Cho / McGill University

May 29, 2018 Michelle Cho / McGill University 8 comments

Michelle Cho explores the impact of multi-platform fan engagement on television consumption through K-pop boy band BTS’s fans are expanding and redefining mediated liveness.

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On Discoverability
Ramon Lobato / RMIT University

May 29, 2018 Ramon Lobato / RMIT University 6 comments

Ramon Lobato considers discoverability. Apps, portals, and platforms each have algorithms meant to surface particular content over others and media industry scholars should be paying attention.

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Into the Glow: Glossier’s Emily Weiss and Millennial Entrepreneurism
Elizabeth Affuso / Pitzer College

May 29, 2018 Elizabeth Affuso / Pitzer College 6 comments

Elizabeth Affuso explores the dewy aesthetics and commodity feminism of Glossier, a makeup, media, and lifestyle brand.

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Soundtrack Album Fandom and Unofficial Releases
Paul N. Reinsch / Texas Tech University

May 29, 2018 Paul Reinsch / Texas Tech University One comment

Paul Reinsch discusses the intricacies of audience interaction with official—and unofficial—film soundtrack albums.

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Sitcom in the Trump Era: Racially Diverse Utopias and White Dystopias
Jorie Lagerwey / University College Dublin
Taylor Nygaard / University of Denver

May 29, 2018 Jorie Lagerwey & Taylor Nygaard / UCD Dublin & University of Denver and Jorie Lagerwey / University College Dublin Leave a comment

Jorie Lagerwey and Taylor Nygaard examine white-cast dystopias and people of color-cast utopias in contemporary sitcom aesthetics.

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Navigating the Unknown Risks Within the Content We Create and Consume
Kate Edwards/Geogrify LLC

May 29, 2018 Kate Edwards / Geogrify One comment

Kate Edwards uses a geopolitical issue to consider the many “unknown risks” of generating media content within the modern context of global business, product creation, and community interaction across boundaries.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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FlowTV
flowtv FLOW @flowtv ·
5 Jan

Benjamin M. Han argues that while one might be inclined to identify specific elements of the film that appeal to the global audience, Kpop Demon Hunters prompts us to examine questions of national identity in terms of its Koreanness.

Read it here: http://tinyurl.com/3usj4n4w

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flowtv FLOW @flowtv ·
30 Dec

In "K-pop Beyond the Trend" Dr. Crystal Anderson explores how K-pop music maintains relevance beyond the cultural moment, unlike the fast trending nature of other popular Korean music genres.

Read it here: http://tinyurl.com/bdmx3vfw

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flowtv FLOW @flowtv ·
26 Dec

In "Yet Another KPDH Thought Piece: Socially Conscious and Popular?" Dr. David Oh investigates how Kpop Demon Hunters has managed to maintain its popular status despite the film’s counterhegemonic tendencies.

Read it here: http://tinyurl.com/3tjkm5kt

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flowtv FLOW @flowtv ·
23 Dec

Kallia O. Wright analyzes Dr. Bailey’s heart attack in Grey’s Anatomy, revealing how racial and gender stereotypes shape Black women’s medical treatment and self-advocacy within biased healthcare systems.

Read it here: http://tinyurl.com/3vyahe9b

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