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Category: 24.08

3 Ways that BTS and its Fans are Redefining Liveness
Michelle Cho / McGill University

May 29, 2018 Michelle Cho / McGill University 7 comments

Michelle Cho explores the impact of multi-platform fan engagement on television consumption through K-pop boy band BTS’s fans are expanding and redefining mediated liveness.

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On Discoverability
Ramon Lobato / RMIT University

May 29, 2018 Ramon Lobato / RMIT University 3 comments

Ramon Lobato considers discoverability. Apps, portals, and platforms each have algorithms meant to surface particular content over others and media industry scholars should be paying attention.

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Into the Glow: Glossier’s Emily Weiss and Millennial Entrepreneurism
Elizabeth Affuso / Pitzer College

May 29, 2018 Elizabeth Affuso / Pitzer College 6 comments

Elizabeth Affuso explores the dewy aesthetics and commodity feminism of Glossier, a makeup, media, and lifestyle brand.

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Soundtrack Album Fandom and Unofficial Releases
Paul N. Reinsch / Texas Tech University

May 29, 2018 Paul Reinsch / Texas Tech University One comment

Paul Reinsch discusses the intricacies of audience interaction with official—and unofficial—film soundtrack albums.

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Sitcom in the Trump Era: Racially Diverse Utopias and White Dystopias
Jorie Lagerwey / University College Dublin
Taylor Nygaard / University of Denver

May 29, 2018 Jorie Lagerwey & Taylor Nygaard / UCD Dublin & University of Denver and Jorie Lagerwey / University College Dublin Leave a comment

Jorie Lagerwey and Taylor Nygaard examine white-cast dystopias and people of color-cast utopias in contemporary sitcom aesthetics.

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Navigating the Unknown Risks Within the Content We Create and Consume
Kate Edwards/Geogrify LLC

May 29, 2018 Kate Edwards / Geogrify One comment

Kate Edwards uses a geopolitical issue to consider the many “unknown risks” of generating media content within the modern context of global business, product creation, and community interaction across boundaries.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

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flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

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flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

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flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

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