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A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

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Tag: 24.08

3 Ways that BTS and its Fans are Redefining Liveness
Michelle Cho / McGill University

May 29, 2018 Michelle Cho / McGill University 7 comments

Michelle Cho explores the impact of multi-platform fan engagement on television consumption through K-pop boy band BTS’s fans are expanding and redefining mediated liveness.

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On Discoverability
Ramon Lobato / RMIT University

May 29, 2018 Ramon Lobato / RMIT University 2 comments

Ramon Lobato considers discoverability. Apps, portals, and platforms each have algorithms meant to surface particular content over others and media industry scholars should be paying attention.

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Into the Glow: Glossier’s Emily Weiss and Millennial Entrepreneurism
Elizabeth Affuso / Pitzer College

May 29, 2018 Elizabeth Affuso / Pitzer College 6 comments

Elizabeth Affuso explores the dewy aesthetics and commodity feminism of Glossier, a makeup, media, and lifestyle brand.

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Soundtrack Album Fandom and Unofficial Releases
Paul N. Reinsch / Texas Tech University

May 29, 2018 Paul Reinsch / Texas Tech University One comment

Paul Reinsch discusses the intricacies of audience interaction with official—and unofficial—film soundtrack albums.

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Sitcom in the Trump Era: Racially Diverse Utopias and White Dystopias
Jorie Lagerwey / University College Dublin
Taylor Nygaard / University of Denver

May 29, 2018 Jorie Lagerwey & Taylor Nygaard / UCD Dublin & University of Denver Leave a comment

Jorie Lagerwey and Taylor Nygaard examine white-cast dystopias and people of color-cast utopias in contemporary sitcom aesthetics.

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Navigating the Unknown Risks Within the Content We Create and Consume
Kate Edwards/Geogrify LLC

May 29, 2018 Kate Edwards / Geogrify One comment

Kate Edwards uses a geopolitical issue to consider the many “unknown risks” of generating media content within the modern context of global business, product creation, and community interaction across boundaries.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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lcbrown91Laura Brown@lcbrown91·
31 May

It was an absolute pleasure to helm @FlowTV with @ashdharcourt this year! The biggest of thanks to our contributors, staff, and supporters! https://twitter.com/FlowTV/status/1531636621275058176

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FlowTVFLOW@FlowTV·
31 May

That’s a wrap on Volume 28. Shout out to our wonderful contributors and staff this past year. Also, be on the lookout out for our grad student issue that goes live in August!

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FlowTVFLOW@FlowTV·
30 May

Nicole Erin Morse examines how The Matrix (1999) interrupts and deconstructs the male gaze. @cinefeminism

Read the full column at:
https://www.flowjournal.org/2022/05/were-you-looking-at-the-woman-in-the-red-dress/

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