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A Critical Forum on Media and Culture

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Tag: 24.02

Comics ↔ Media: Comics Aren’t Literature, and That’s Fine
Benjamin Woo / Carleton University

October 30, 2017 Benjamin Woo / Carleton University 4 comments

Benjamin Woo questions the positioning of Comics Studies within academia. Bound to both Media Studies and Literature, is either equipped to study the many facets of this interdisciplinary field?

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The Cuteness of Tunneling Media 
Juan Llamas-Rodriguez / University of Texas at Dallas

October 30, 2017 Juan Llamas-Rodriguez / University of Texas at Dallas One comment

Juan Llamas-Rodriguez considers how the use of cuteness to market VPN privacy and security services illustrates the ideological negotiations with which these user-friendly services must engage.

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Rose McGowan and the “Neutrality” of Social Media Platforms
Adrienne Massanari / University of Illinois at Chicago

October 30, 2017 Adrienne Massanari / University of Illinois at Chicago One comment

Adrienne Massanari argues that Rose McGowan’s recent suspension from Twitter illustrates that social media platforms are far from politically neutral.

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Saving New Sounds: Podcasts and Preservation
Jeremy Wade Morris / University of Wisconsin-Madison

October 30, 2017 Jeremy Wade Morris / University of Wisconsin-Madison One comment

Jeremy Wade Morris writes about preserving podcasts and making them more researchable. He enumerates several reasons we should be invested in their longevity and accessibility.

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How Adapting Content to Cultural Expectations Intersects with the Practice of Censorship
Kate Edwards / Geogrify

October 30, 2017 Kate Edwards / Geogrify One comment

Kate Edwards argues that content creators, especially those with a global audience, must balance carefully between culturalization and censorship in video games and other content.

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The Algorithmic Audience and African American Media Cultures
Tim Havens / University of Iowa

October 30, 2017 Tim Havens / University of Iowa 2 comments

Tim Havens considers Netflix as a case study to develop a typology for studying the role of algorithmic audience analysis in commercial African American streaming culture.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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FlowTVFLOW@FlowTV·
21h

Cara Dickason examines how corporations sell Smart TVs as domestic surveillance technologies through gendered formulas. @CaraDickason

Read the full article here:
https://www.flowjournal.org/2022/05/smart-tv-surveillance/

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23 May

Isabel Molina-Guzmán discusses how Bridgerton's escapist narrative produces a nostalgia that simultaneously erases histories of racial conflict, generates pleasure in non-white audiences, and maintains white subjectivity. @LaProfaMolina

Read more at:
https://www.flowjournal.org/2022/05/bridgertons-romance-with-racial-nostalgia/

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20 May

Sarah E.S. Sinwell details how one art house cinema continues to adapt to the pandemic while serving its local community. @sinwelleffect

Read more at:
https://www.flowjournal.org/2022/05/portrait-of-an-art-house-during-a-pandemic-part-2/

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