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A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

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Author: Katherine E. Morrissey / San Francisco State University

Katherine Morrissey is an Assistant Professor in the School of Cinema at San Francisco State University. Katherine’s research focuses on representations of female desire across popular culture, storytelling across media, production networks for popular romance genres, participatory culture, digital production, and digital pedagogy. Katherine serves as Review Editor for the Transformative Works and Cultures journal and Co-Vice President for the International Association for the Study of Popular Romance. Katherine’s work has been published in Flow, the Journal for Popular Romance Studies and Transformative Works and Cultures. Katherine is currently working on a book project, tentatively titled, “Redefining Romance: Love & Desire in Today’s Digital Culture.”

From Crazy Rich Asians to Netflix: The “Rebirth” of Romantic Comedies, pt. 2
Katherine E. Morrissey / San Francisco State University

February 3, 2020 Katherine E. Morrissey / San Francisco State University 2 comments

Katherine E. Morrissey explores how the recent successes (and failures) of Crazy Rich Asians and To All The Boys I’ve Loved Before illustrate two emerging distribution strategies for rom-coms within the increasingly global media market.

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From Crazy Rich Asians to Netflix: The “Rebirth” of Romantic Comedies
Katherine E. Morrissey / San Francisco State University

November 4, 2019 Katherine E. Morrissey / San Francisco State University 5 comments

Katherine E. Morrissey explores the evolution of the romantic comedy and its audience since the 1980s in order to understand the contemporary “rebirth” of these films.

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Stop Teaching Software, Start Teaching Software Literacy
Katherine Morrissey / Rochester Institute of Technology

September 20, 2015 Katherine E. Morrissey / San Francisco State University 7 comments

Katherine Morrissey advocates for teaching media and software literacy skills which will enable students to successfully adapt and respond to changes in software, its classroom availability, and in the media landscape itself.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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lcbrown91Laura Brown@lcbrown91·
31 May

It was an absolute pleasure to helm @FlowTV with @ashdharcourt this year! The biggest of thanks to our contributors, staff, and supporters! https://twitter.com/FlowTV/status/1531636621275058176

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FlowTVFLOW@FlowTV·
31 May

That’s a wrap on Volume 28. Shout out to our wonderful contributors and staff this past year. Also, be on the lookout out for our grad student issue that goes live in August!

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FlowTVFLOW@FlowTV·
30 May

Nicole Erin Morse examines how The Matrix (1999) interrupts and deconstructs the male gaze. @cinefeminism

Read the full column at:
https://www.flowjournal.org/2022/05/were-you-looking-at-the-woman-in-the-red-dress/

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