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A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

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Author: Germaine Halegoua / University of Kansas

Fart Jokes, Pranks, Selfies and Other Applications of Smart Technologies
Germaine R Halegoua / University of Kansas

March 27, 2017 Germaine Halegoua / University of Kansas Leave a comment

Germaine Halegoua explores how users seem to appreciate Internet of Everything technologies for playful engagements or misuse rather than their utilitarian efficiencies.

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Make Room for Alexa
Germaine Halegoua / University of Kansas

January 22, 2017 Germaine Halegoua / University of Kansas One comment

Germaine Halegoua considers how virtual assistants like Alexa represent a shift from the imagination of the smart home as a space of ambient screens to ambient interfaces for continual background listening.

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“Always Off” Connection
Germaine Halegoua / University of Kansas

October 24, 2016 Germaine Halegoua / University of Kansas One comment

Germaine Halegoua explores the under-investigated networks within infrastructure studies: networks of “always off” connection that are purposefully constructed as dark or inactive.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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24h

Stefania Marghitu explores the intersections between gender, genre, and authorship via Rose Matafeo's Starstruck. @DearStefania

Read the full article here:
https://www.flowjournal.org/2022/05/gender-genre-authorship-in-starstruck/

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24 May

Cara Dickason examines how corporations sell Smart TVs as domestic surveillance technologies through gendered formulas. @CaraDickason

Read the full article here:
https://www.flowjournal.org/2022/05/smart-tv-surveillance/

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23 May

Isabel Molina-Guzmán discusses how Bridgerton's escapist narrative produces a nostalgia that simultaneously erases histories of racial conflict, generates pleasure in non-white audiences, and maintains white subjectivity. @LaProfaMolina

Read more at:
https://www.flowjournal.org/2022/05/bridgertons-romance-with-racial-nostalgia/

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