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Category: 23.01

Audiovisuality and the Media Swirl: Campaign 2016
Carol Vernallis / Stanford University

October 25, 2016 Carol Vernallis / Stanford University One comment

Carol Vernallis investigates the state of campaign music in the 2016 Presidential election, asking why is there so little musically or audiovisually rich content this cycle?

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TV Finales: Rethinking the Cliffhanger
Casey McCormick / McGill University

October 24, 2016 Casey McCormick / McGill University 6 comments

Casey McCormick analyzes the relationship of the season finale cliffhanger to the economic, formal, and fandom elements of television, focusing in particular on the season 6 finale of AMC’s The Walking Dead.

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#TrumpIsRight: The Paradox of Digital Database Histories and Collective Memory
Eric Hahn / New York University

October 24, 2016 Eric Hahn / New York University One comment

Eric Hahn explores how user-generated digital databases complicate our understanding of the nature of reportage, history, and news coverage.

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“Always Off” Connection
Germaine Halegoua / University of Kansas

October 24, 2016 Germaine Halegoua / University of Michigan One comment

Germaine Halegoua explores the under-investigated networks within infrastructure studies: networks of “always off” connection that are purposefully constructed as dark or inactive.

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Bunker Mentality: Fortified Domesticity and the “Crazy Prepper” in 10 Cloverfield Lane
Greg Clinton | Stony Brook University

October 24, 2016 Greg Clinton / Stony Brook University 2 comments

Greg Clinton considers apocalyptic futures, survivalism, and “crazy preppers” as responses to changing social mores through 10 Cloverfield‘s representation of bunkers as fortified domestic spaces.

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To See and Not to See: Racial Economies of Visibility and Invisibility
Roopali Mukherjee / CUNY, Queens College

October 22, 2016 Roopali Mukherjee / Queens College 4 comments

Roopali Mukherjee discusses racial (in)visibility and the modern technical malfunctions that misidentify people of color while organizing and reifying powerful epidermal schema of differentiation and discrimination.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

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flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

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flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

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flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

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