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Category: 22.01

Teen TV’s Post-Closet and Postracial Fictions
Wendy Peters / Nipissing University

October 26, 2015 Wendy Peters / Nipissing University One comment

Wendy Peters examines “post-” political representations — post-racial, post-closet — and the ways in which they erase the realities of racism, homophobia, and normative privilege from the teen televisual landscape.

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Nuestra Belleza Latina and Why Pageants Are Still a Thing Among Latino Audiences
Manuel G. Aviles-Santiago / Arizona State University

October 26, 2015 Manuel Aviles-Santiago / Arizona State University 2 comments

Manuel G. Aviles-Santiago explores the enduring popularity of televised beauty pageants in Latin America as a transnational phenomenon and as a celebration of Latinidad.

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Losing Cosby
Bambi Haggins / Arizona State University

October 26, 2015 Bambi Haggins / Arizona State University One comment

Bambi Haggins investigates the fall of Bill Cosby and what this means for the Black community, both for those raised on his wholesome, uplifting image and millennials, who may only come to know him as a hypocritical sexual predator.

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Seasonal TV, Hammer Horror’s Cult History, and TCM’s Tele-Binging Convergence Model
Garret Castleberry / Oklahoma City University

October 26, 2015 Garret Castleberry / Oklahoma City University 5 comments

Garret Castleberry discusses the history of Hammer Horror films and examines them in relation to Turner Classic Movies’s (TCM) seasonal horror programming.

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Fandom in Transition: Long Live the Landslide
Louisa Ellen Stein / Middlebury College

October 26, 2015 Louisa Stein / Middlebury College Leave a comment

Louisa Stein examines the divide between traditional fan vidding communities and newer fan vidding practices, arguing for the embrace a larger cultural creative framework that honors the specifics of communities and specific fan practices.

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Mapping Media Retail in the Global Midwest: Dearborn, MI
Dan Herbert / University of Michigan

October 25, 2015 Daniel Herbert / University of Michigan One comment

Professor Dan Herbert explores the global flows of home media in the Midwest, specifically addressing how these flows interacted with ethnic composition.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Classifying Dahmer: Protecting Netflix’s Homonormative Canon
Dan Vena / Queen’s University & Sarah Woodstock / University of Toronto

"I’m the Industry Baby”: The Political Economy of Lil Nas X
Wendy Peters / Nipissing University

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