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Category: 12.09

Merata Mita (1942-2010) and the Idea of an Accented Pacific Cinema
Konrad Ng / University of Hawai’i at Mānoa

September 24, 2010 Konrad Ng / University of Hawai'i at Mānoa 3 comments

A view into the world of indigenous filmmaking through the life of Merata Mita including reflections on an “accented” approach to Pacific cinema.

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Chop Shop, Music Supervision and The Recording Industry’s Possible Futures
Kyle Barnett / Bellarmine University

September 24, 2010 Kyle Barnett / Bellarmine University 2 comments

An analysis of the role of the “music supervisor” in contemporary multimedia American recording industry practices.

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Revisiting “The Canadian Conspiracy”
R. Colin Tait / FLOW Staff

September 24, 2010 R. Colin Tait / Texas Christian University 7 comments

Are Canadians taking over Hollywood? Is Canada trying to infiltrate the entertainment industry from within? Colin Tait investigates the “Canadian Conspiracy.”

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De-racializing “Deadbeat Dads:” Paternal Involvement in MTV’s Teen Mom
Samuel Jay / University of Denver

September 24, 2010 Samuel Jay / University of Denver 4 comments

A look at MTV’s Teen Mom and how the show transforms the image of “deadbeat dads.”

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Modern Family, Glee, and the Limits of Television Liberalism
Alexander Doty / Indiana University

September 24, 2010 Alexander Doty / Indiana University 15 comments

The 2010 Emmy broadcast reveals the tensions of a liberal politics of representation in the shows Glee and Modern Family.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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lcbrown91Laura Brown@lcbrown91·
31 May

It was an absolute pleasure to helm @FlowTV with @ashdharcourt this year! The biggest of thanks to our contributors, staff, and supporters! https://twitter.com/FlowTV/status/1531636621275058176

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FlowTVFLOW@FlowTV·
31 May

That’s a wrap on Volume 28. Shout out to our wonderful contributors and staff this past year. Also, be on the lookout out for our grad student issue that goes live in August!

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FlowTVFLOW@FlowTV·
30 May

Nicole Erin Morse examines how The Matrix (1999) interrupts and deconstructs the male gaze. @cinefeminism

Read the full column at:
https://www.flowjournal.org/2022/05/were-you-looking-at-the-woman-in-the-red-dress/

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