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Category: 11.09 – Special Issue: Flow Favorites 2010

Flow Favorites: The Bronze Fonz
Michael Z. Newman / University of Wisconsin-Milwaukee

March 5, 2010 Michael Z. Newman / University of Wisconsin-Milwaukee 4 comments

Michael Z. Newman’s “The Bronze Fonz” explores not only the relationship between art and popular culture, but between cultural memory and urban space.

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Flow Favorites: Digg, Flickr, and the Colonizing of Bridging Texts
Vanessa Au / University of Washington

March 5, 2010 Vanessa Au / University of Washington One comment

Discourse around the author’s image on Digg and Flickr highlight the fact that social media are shot through with race and gender codes.

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Flow Favorites: Around the Antenna Tree: The Politics of Infrastructural Visibility
Lisa Parks / UC Santa Barbara

March 5, 2010 Lisa Parks / University of California - Santa Barbara 9 comments

Lisa Parks’ article revisits the infrastructure of communications media and examines the stakes of devices masked as “nature.”

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Flow Favorites: Quality Television, Melodrama, and Cultural Complexity
Michael Kackman / University of Texas – Austin

March 5, 2010 Michael Kackman / University of Notre Dame 22 comments

This piece sparked a vigorous discussion within the television studies community with its call to think more rigorously about why, exactly, we are drawn to aesthetically and narratively complex TV.

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Flow Favorites: A Specter is Haunting Television Studies
Jeffrey Sconce / Northwestern University

March 4, 2010 Jeffrey Sconce / Northwestern University One comment

By raising the specter of “dead white men” theorists and their applicability to the 2008 Economic Meltdown, Jefferey Sconce provoked one of the most highly-charged debates on Flow in some time.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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3 Nov

From Squid Game pop-ups to Netflix House installations, Hyun-Jung Stephany Noh traces how dystopian K-dramas become immersive, branded experiences. Her essay shows how Netflix turns speculative fiction into a global marketing spectacle
Read it here: http://tinyurl.com/h7epx33m

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29 Oct

Helen Piper examines the show The Assembly and compares the UK & Australian versions. In doing so, she reveals how format and post-production choices shape risk, reciprocity, and the politics of inclusion.

Read it here: http://tinyurl.com/5y7y4cax

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