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Category: 24.02

Comics ↔ Media: Comics Aren’t Literature, and That’s Fine
Benjamin Woo / Carleton University

October 30, 2017 Benjamin Woo / Carleton University 4 comments

Benjamin Woo questions the positioning of Comics Studies within academia. Bound to both Media Studies and Literature, is either equipped to study the many facets of this interdisciplinary field?

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The Cuteness of Tunneling Media 
Juan Llamas-Rodriguez / University of Texas at Dallas

October 30, 2017 Juan Llamas-Rodriguez / University of Texas at Dallas One comment

Juan Llamas-Rodriguez considers how the use of cuteness to market VPN privacy and security services illustrates the ideological negotiations with which these user-friendly services must engage.

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Rose McGowan and the “Neutrality” of Social Media Platforms
Adrienne Massanari / University of Illinois at Chicago

October 30, 2017 Adrienne Massanari / University of Illinois at Chicago One comment

Adrienne Massanari argues that Rose McGowan’s recent suspension from Twitter illustrates that social media platforms are far from politically neutral.

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Saving New Sounds: Podcasts and Preservation
Jeremy Wade Morris / University of Wisconsin-Madison

October 30, 2017 Jeremy Wade Morris / University of Wisconsin-Madison One comment

Jeremy Wade Morris writes about preserving podcasts and making them more researchable. He enumerates several reasons we should be invested in their longevity and accessibility.

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How Adapting Content to Cultural Expectations Intersects with the Practice of Censorship
Kate Edwards / Geogrify

October 30, 2017 Kate Edwards / Geogrify One comment

Kate Edwards argues that content creators, especially those with a global audience, must balance carefully between culturalization and censorship in video games and other content.

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The Algorithmic Audience and African American Media Cultures
Tim Havens / University of Iowa

October 30, 2017 Tim Havens / University of Iowa 2 comments

Tim Havens considers Netflix as a case study to develop a typology for studying the role of algorithmic audience analysis in commercial African American streaming culture.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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lcbrown91Laura Brown@lcbrown91·
31 May

It was an absolute pleasure to helm @FlowTV with @ashdharcourt this year! The biggest of thanks to our contributors, staff, and supporters! https://twitter.com/FlowTV/status/1531636621275058176

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FlowTVFLOW@FlowTV·
31 May

That’s a wrap on Volume 28. Shout out to our wonderful contributors and staff this past year. Also, be on the lookout out for our grad student issue that goes live in August!

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FlowTVFLOW@FlowTV·
30 May

Nicole Erin Morse examines how The Matrix (1999) interrupts and deconstructs the male gaze. @cinefeminism

Read the full column at:
https://www.flowjournal.org/2022/05/were-you-looking-at-the-woman-in-the-red-dress/

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